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Allen - The World's Most Chosen Church Organ!

Matthew Swingle, Director of Music & Organist
Faith Lutheran Church, Naples, Florida
"The RLX-90, designed by acclaimed organist Rudy Lucente, with the new APEX technologies have taken the Allen Organ Company to unimaginable heights in the world of digital organ audio production. The organ can produce such realistic sounds that the auditory line separating digital organs and pipe organs is virtually gone. With the expansive capabilities of APEX, the realistic sounds are far beyond all expectations. I am constantly left speechless every time I play the instrument. In cooperation the with Allen Organ Company, this was all made possible due to the tireless efforts of the incomparable team of Brian Daggett, Ted Hayes, and the rest of Dunne Music in Florida. Everyone involved went above and beyond all imaginable actions to help give life to the project and see it to its final fruition. The Allen Organ Company and Dunne Music have created a product that will be a pinnacle instrument throughout the entire organ world."
Photograph by Myron Leggett
The Very Rev. John Kelly, Rector
St. George Episcopal Church, The Villages, Florida
“Our former organ was twenty-five years old. It was adequate in its day; but suffered from significant electronic failure and decreased performance. The leaders at St. George Episcopal Church evaluated our music program and decided that we should add upon our strong music tradition. Not only would we continue to offer inspiring music during our liturgy, we would introduce a superb musical series to our community, offering a well-rounded music program to be part of our outreach activities.

Our Organ Task Force explored all possibilities, ultimately turning their attention to Allen Organ. We discovered an Allen Organ was a superb organ, considering both our budget and space availability. Evaluating Allen’s instruments, we finally chose the Rudy Lucente Designer Series RL-66a. The RL-66a is a three-manual instrument with 66 voices, a multitude of contemporary GeniSysTM Voices, and St. George added Antiphonal Pipes, giving us the best of both worlds! Plus, the instrument is beautiful, its custom woodwork perfectly matches our lovely décor.

This instrument is perfect for our Sunday morning preludes, postludes, hymns and chants. It also has the versatility to serve as a wonderful concert instrument! Its multiple stop lists allow it to be that perfect sounding English or North German Organ, even the French Romantic and the great American Aeolian Skinner Organ. Organists have performed Bach, Widor, Messiaen, and Elgar on the RL-66a. Premier organists, such as Rudy Lucente and Hector Olivera, were pleased with the organ’s versatility and the way it is perfectly voiced for our church. At a recent local American Guild of Organists event, we were proud to showcase our organ, and the audience and guest artists were highly impressed.

We look forward to hearing fine church music and experiencing wonderful concerts from now and into the next generation!”
Rev. Don Zeiler, Pastor
St. Gabriel The Archangel Catholic Community, McKinney, Texas
“St. Gabriel The Archangel Catholic Community, in McKinney Texas, became the proud owner of a new Allen, 93 Stop, Four-Manual, digital Organ in December of 2018. This organ is known as the HO85 where each division has been specifically configured by its designer with stops to complement each other for playing the works of the greatest composers of classical, liturgical and contemporary music. The HO85 is labeled after its designer Maestro Hector Olivera. After the first of the year, it was installed and given an initial regulation in time for the dedication of our new church in February 2019.

The likeness of this instrument to a pipe organ is truly impressive. The HO85 gives us the large organ sound we need to fill our new worship space. The Allen Organ Company is to be congratulated on the look and feel of the finished instrument, not to mention the sound, the craftsmanship and the man-to-machine interface. It speaks well of Allen’s dedication to the engineering, software development and manufacturing technology required to keep abreast of our ever-changing technical world. We thank you for that and have a prized instrument to prove it.

We also want to thank you for providing the organist, Maestro Hector Olivera, to help us dedicate this organ. Since it was his design, he gave us a real sampling of what it can do. Everyone who attended was fascinated watching Maestro Olivera’s feet and hands and listening to the full musical range of this new organ.”
Photograph by Eric Maki
Photograph by Charles J. Goodrich, Jr
David Clyle Morse, Minister of Worship Music
St. Joseph’s Episcopal Church, Boynton Beach, Florida
“Shortly after beginning my ministry at St. Joseph’s several years ago, I could tell that the existing 20-year-old organ was declining steadily. The digital components were holding up but the analog and audio systems were failing, and as time went on the organ declined beyond repair.

An anonymous donor stepped forward with a gift – enough to purchase a three-manual digital organ. In the same month, two more anonymous donors offered gifts that allowed us to upgrade to a custom five-manual digital instrument. I knew that an Allen organ would be the obvious choice because of the quality of sound, excellence of craftsmanship, and ongoing service commitment by Allen and its dealers.

St. Joseph’s chose to install our custom Allen instrument utilizing mostly beam-mount speakers because the A-frame structure of the church would not permit any chamber space. All five divisions have speakers at each end of the church, and may be used in any combination.

Since our instrument was installed and voiced, and the dedicatory concert was presented, the church has been recognized by the community as a place with a ‘high-quality’ instrument. Recently, a local semi-professional chorus had its first performance in our church, and as a result of their performance with our organ, has scheduled to perform again next year! This organ will also allow us to continue our Kids-On-Keyboards-Organ program we offer to local schools.

As I said at the dedicatory concert, we’re at the end of a long wait for a new organ but we’re only at the beginning of amazing and wonderful musical and spiritual experiences!”
Chris Bearer, Director of Music
St. Ignatius of Loyola Catholic Church, Spring, Texas
“In 2017, St. Ignatius of Loyola parish was devastated from flooding by Hurricane Harvey. With over five feet of water inside the church our older Allen organ was rendered useless from sitting in water for four days. The entire church suffered extensive damage and required much work to make it operational.

Needing a new instrument, and desiring another Allen, we acquired the Three-Manual Rudy Lucente RL-66a Designer Series Allen organ to go into our entirely remodeled church. This is the first of this series Allen organ to be installed in the Houston area, and we had the pleasure of having Rudy Lucente himself voice the organ in our church space.

The console is beautifully crafted in a two-tone finish to match our church interior. Plus, the variety of stops, including a Festival Trumpet and a Zimbelstern, adds a great assortment of colors and timbres. We chose this model because of its versatility; working well for solo organ literature, supporting congregational hymnody, accompanying music from the choral repertoire, and Gregorian Chant. In the future, we plan to supplement the digital sounds with pipes.”

Photograph by Amanda Moore
Amy McCurley, Director of Music and Rodney Pendell, Organist
Hibben United Methodist Church, Mt. Pleasant, South Carolina
“Ten years after installing a digital organ from another manufacturer, Hibben United Methodist was faced with the sad realization that the instrument had fallen far short of expectations and was actually in an advancing state of disrepair. After a thorough inspection was completed, the church decided a new organ was required to fulfill the vision laid out by our new Director of Music.

A committee of church leaders with various backgrounds was formed and a visit to the Allen factory was initiated. After this visit, the committee was unanimous in their decision that Allen Organ represented the best stewardship of church funds and should be contracted to build a custom 4-manual organ. In anticipation of the new organ, a major renovation of the sanctuary was completed just in time for the installation in July 2018.

The console is stunning, yet timeless; constructed of solid hardwoods with a beautiful Walnut exterior and a satin black finish interior, complemented with white drawknobs, premium manuals with Ivora naturals and black sharps. The 99-Stop organ features a robust 44 channels of custom-designed audio with a Swell Antiphonal, floating String division, Solo division with several custom stops; plus a Trompette en Chamade, and 72 speaker cabinets! This powerful instrument was formally dedicated before a capacity audience in December 2018.

Hibben UMC looks forward to many decades of music from this incredible instrument!”
Frederick J. Locker Minister of Music
St. Joseph Roman Catholic Church, Massilon, Ohio

“St. Joseph selected a new Rudy Lucente Designer Series Three-Manual 66 Stop custom pipe and digital Allen Organ to replace their existing 1980 Allen Organ. 18 ranks of pipes were added to substitute or add to the current stop list. This new instrument incorporates all current Allen technologies available, as well as the capability for future expansion.

I am very excited to play our new Allen. The pipe and digital organ with GeniSysTM Voices allows me to access a vast selection of varying timbres, and having these features allows me the opportunity to enhance my repertoire selections. St. Joseph’s music program is currently on a growth curve, and the addition of this new instrument will not only enhance playing the music for Mass, but it will also add a new dimension for those who attend Mass.

The custom hardwood console is a beautiful work-of-art! The color of the console was chosen to complement our newly renovated choir loft, and match the wood of the church interior. Allen’s numerous organ speakers emit the clean and accurate digital pipe organ sound, making it extremely difficult to tell the difference between the pipes and the digital voices! The advancements in Allen’s sound technology are astounding!”

I particularly enjoy having so many options available. The ability to add or substitute pipes, use GeniSys Voices, and have MIDI capabilities creates endless combinations. We are very much looking forward to Easter, when we will be able to experience the richness of our new organ and brass!”

Andrew McKeon, Director of Music Ministries
St. John The Evangelist R.C. Church, Center Moriches, New York
“Following a fire in St. John the Evangelist, which occurred in 2017, the 1998 digital organ was thoroughly damaged from smoke, and soot immersion. The organ was assessed and deemed a total loss due to the manufacturer’s lack of new parts, and a cost greater than it is worth.

The Allen Organ Company of Macungie, PA was awarded the contract to build a brand new four manual organ for St. Johns. Allen Organ Studios, Inc. of Mineola, New York played a key role in this instrument’s successful installation. This new organ is state-of-the-art incorporating all current technologies available, with room for future expansion.

The console is a custom work-of-art with hardwood construction equal to the finest pipe organ manufacturers. The color finish was matched to complement the new sanctuary colors and the wood tone of the Chapel and pews. The new instrument features over forty speakers assuring that clarity and detail are achieved to produce a beautiful immersive pipe organ sound. A dolly platform was incorporated that allows the console to be moved about the church to better facilitate various needs for liturgies and concerts.”
Mary Jones, Organist and Director of Music
Jack Thrasher, Assistant Organist
Sacred Heart of Jesus Catholic Church, Anniston, Alabama
When the Allen organ at Sacred Heart of Jesus Catholic Church in Anniston, Alabama was greatly affected by a lightning strike to the church, they turned to Allen once again!

Mary Jones, Organist and Director of Music, stated she loves the sound of Allen organs, and the ability to have the voicing adjusted as she would like. She loves the feel of Allen consoles, the quality construction, the keyboards and everything feels different than that of other organ companies. She also stated that she loves all the various controls on the organ. This particular Designer Series RL-58 had some custom controls added. Being able to have the choir division and more 8' choices on the choir division playable from the front, where the cantor sometimes leads, is very helpful. The trumpets are also playable from the other side of the room as well as from the main organ.

The following is excerpted from a letter written by Assistant Organist Jack Thrasher to Allen Organ;

"The new organ maintained all the features of the older organ, plus it has newer upgrades custom-designed for the needs of our church. Without the expert design assistance and follow-up training from our dealer, we would not have the beautiful instrument that we now have. The mixture of sounds is phenomenal! The cabinetry appears to have been the work of a master craftsman. We could not have asked for anything better, and are extremely pleased and gratified to have this organ in our church!"

This organ installation is featured as an Allen Organ ad in the March 2014 edition of Pastoral Musicians magazine.
The First Reformed Church of Scotia Choir
Justan with the new Allen
Justan J. Foster, Organist
First Reformed Church of Scotia, Scotia, New York
When the First Reformed Church of Scotia selected a builder to create their hybrid instrument, they turned to Allen. The following is excerpted from a letter written by Organist Justan J. Foster:

"First, I must say that when the process of selecting an organ to replace our failing instrument began, this was a letter that I did not anticipate writing for an ending that I could not have predicted.

I visited the Church of the Annunciation in Ilion, NY, last July (2012) to listen to a recently installed (Allen) Q370. Based on my own short-sightedness, I fully expected to politely walk away after the demonstration and go on my merry way never to consider Allen again. For this, I must profoundly apologize. What began on that day was a year's journey in designing and installing a most splendid masterpiece that is fully appreciated by our congregation and music department.

Allen was selected as the builder for our custom hybrid instrument from a field of many distinguished builders due to their commitment to quality and customer service-principles all too absent in today's world. The design process we experienced allowed for enthusiastic creativity and promoted a deeper sense of collaboration than might be expected with this undertaking. Creating the custom stop list and console proved to be a most enjoyable experience and particularly rewarding for me, as an artist, to paint with such broad strokes of tonal color. The hard work exhibited by our Allen Dealer, from proposal to voicing, has yet to cease, and reflects the integrity and ethics of Allen Organ Company that was demonstrated during several trips to the factory.

This project was one of many joys and sorrows, as our benefactor was a long-standing (no pun intended) member of the choir; and, this was a project that several congregation members were unable to see through to fruition, though we know that they would rejoice in the way our worship has been supplemented. Part of the reason that we settled on a hybrid was the symbolic way in which it reflected our congregation: pipes-both reincorporated and newly designed-to reaffirm our traditions, and digital ranks for additional resources to enhance our worship for the many years yet to come. Again, I (we) say kudos to you on a magnificent instrument that will serve the next generation(s) in our journey of faith."
Dr. H. Gerald "Jerry" Aultman, Professor of Music Theory and Chapel Organist
Dick Baker, Chair of Music Missions and Evangelism
Southwestern Baptist Theological Seminary, Fort Worth, Texas
"15 years ago, at Southwestern Seminary, we chose a large, four-manual Allen for Truett Auditorium. I have been greatly pleased with this instrument and its versatility in both traditional and contemporary styles of worship. The new 3,500-seat MacGorman Chapel features a larger Allen augmented by 30 ranks of pipes. I look forward to playing this thrilling instrument for years to come.

At the First Baptist Church of Dallas, it has also been my pleasure to oversee the selection of a three-manual Allen for the chapel. And, on Easter Sunday of 2013, our new five-manual Allen will make its debut in the fabulous new worship center nearing completion in downtown Dallas.

These instruments have helped the organ retain its rightful place in worship and in the education of church musicians at both Southwestern Seminary and at First Baptist Church. I am thankful to the leadership of both institutions for the wisdom shown in these decisions and for the consummate knowledge, expertise and passion of the Dallas/Fort Worth Allen Organ Company representatives."

Dr. Jerry Aultman
Holland Jancaitis, Director of Music Ministry
Morrow United Methodist Church, Maplewood, New Jersey
When Morrow Memorial United Methodist Church decided to replace their pipe organ, they turned to Allen. The following is excerpted from the church's website: www.morrowchurch.org

"This organ was designed to make worship more inspiring. It is rich with a kaleidoscope of different sounds, able to be plaintive or triumphant, mysterious or declamatory, whispering or roaring. All divisions except the String can be assigned to antiphonal speakers discreetly installed in the rafters over the balcony. This allows for greater support of congregational singing and permits special dialogue effects between the front of the sanctuary and the rear.

The String Division is installed over the central transept area, inspired by the celestial divisions that builders would regularly install in transept domes during the pre-Depression heyday of organ building. The Festival Trumpet speaks from the balcony and is suitable for fanfares and ushering a bride down the aisle. We have a King of Instruments which will serve us for decades to come. Soli Deo Gloria!"
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Additonal Resources

PREMIUM KEYBOARDS

The exclusive Allen Premium keyboard is designed to allow the musician to feel the music. These keyboards are built with a level of quality that is the envy of the industry. Each key stick is constructed of wood, felted pivot points and can be individually adjusted to keep them consistent over the long-haul. (optional)

ALLEN KEYBOARDS

PLAY VIDEO

The Allen keyboard utilizes sealed contacts and wood keysticks to provide the ultimate in touch and control. The level of quality and adjustability of Allen keyboards makes them the envy of the industry and the choice of discerning musicians.

KEY CONTACT

The key contact, while unseen, is an important part of any church organ. If one fails during a performance, the entire musical program can be compromised. Allen introduced a maintenance-free system in which a sealed reed switch is engaged by magnet. Neither dust nor the environment will compromise your music program with an Allen Organ.

PREMIUM KEYBOARDS

The exclusive Allen Premium keyboard is designed to allow the musician to feel the music. These keyboards are built with a level of quality that is the envy of the industry. Each key stick is constructed of wood, felted pivot points and can be individually adjusted to keep them consistent over the long-haul. (optional)

ALLEN KEYBOARDS

PLAY VIDEO

The Allen keyboard utilizes sealed contacts and wood keysticks to provide the ultimate in touch and control. The level of quality and adjustability of Allen keyboards makes them the envy of the industry and the choice of discerning musicians.

KEY CONTACT

The key contact, while unseen, is an important part of any church organ. If one fails during a performance, the entire musical program can be compromised. Allen introduced a maintenance-free system in which a sealed reed switch is engaged by magnet. Neither dust nor the environment will compromise your music program with an Allen Organ.

Information provided will only be used by Allen Organ Company or its representatives. This information will not be given, sold or distributed to any other parties. By submitting this form, you agree that you have read and understand Allen Organ Company's Privacy Policy.
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TO-5X SPECIFICATIONS

Featuring Four Stop List Scaling/Voicing Capability

PEDAL
32 Contra Diaphone
32 Contra Tibia S
32 Contra Violone
16 Double English Horn
16 Bombarde
16 Ophicleide
16 Diaphone
16 Diaphonic Horn
16 Tibia Clausa S
16 Tibia Clausa M
16 Clarinet
16 Bass String (2 rks)
16 Oboe Horn
16 Violone
16 Bourdon
16 Dulciana (2 rks)
8 English Horn
8 Tuba Mirabilis
8 Tuba Horn
8 Diaphonic Diapason
8 Open Diapason
8 Horn Diapason
8 Tibia Clausa
8 Tibia Clausa
8 Tibia Clausa
8 Tibia Clausa PIZZ
8 Clarinet
8 Major Strings (4 rks)
8 Minor Strings (6 rks)
8 French Horn
8 Oboe Horn
8 Concert Flute
16 Piano
8 Piano
Bass Drum
Tympani
Crash Cymbal
Tap Cymbal
Brush Cymbal
Finger Cymbals
Triangle
Accomp to Pedal
Great to Pedal
Great Octave Pedal
Solo on Pedal
MIDI on Pedal
Accomp Traps to Pedal

ACCOMPANIMENT
8 English Horn
8 Tuba Mirabilis
8 Solo Trumpet
8 Chorus Trumpet
8 Tuba Horn
8 Diaphonic Diapason
8 Open Diapason
8 Horn Diapason
8 Tibia Clausa S
8 Tibia Clausa M
8 Clarinet
8 Solo String (2 rks)
8 Gamba (2 rks)
8 Cello (2 rks)
8 Viol d'Orchestre (2 rks)
8 Salicional (2 rks)
8 French Horn
8 Oboe Horn
8 Quintadena
8 Lieblich Flute
8 Concert Flute
8 Spitz Flute (2 rks)
8 Vox Humana
8 Vox Humana
8 Dulciana (2 rks)
4 Octave Open
4 Octave Horn
4 Piccolo M
4 Solo String (2 rks)
4 Gambette (2 rks)
4 Cello (2 rks)
4 Viol (2 rks)
4 Salicet (2 rks)
4 Lieblich Flute
4 Concert Flute
4 Spitz Flute (2 rks)
4 Vox Humana
4 Vox Humana
4 Dulcet (2 rks)
2 2/3 Lieblich Twelfth
2 2/3 Twelfth
2 Lieblich Piccolo
2 Piccolo
8 Piano
Wood Harp Sub
Wood Harp
Metal Harp
Chrysoglott
Snare Drum
Castanets
Tambourine
Wood Block
Tom-Tom
Hi Hat
Tap Cymbal
Brush Cymbal
Octave
Solo to Accomp
MIDI on Accomp

GREAT
16 Double English Horn
16 Bombarde
16 Solo Trumpet (Ten C)
16 Chorus Trumpet (Ten C)
16 Ophicleide
16 Diaphone
16 Open Diapason (Ten C)
16 Diaphonic Horn
16 Tibia Clausa
16 Tibia Clausa (Ten C)
16 Tibia Clausa
16 Clarinet
16 Orchestral Oboe (Ten C)
16 Musette (Ten C)
16 Saxophone (Ten C)
16 Solo String (2 rks)
16 Gamba (2 rks)
16 Cello (2 rks)
16 Minor Strings (4 rks)
16 Krumet (Ten C)
16 Cor Anglais (Ten C)
16 Oboe Horn
16 Quintadena (Ten C)
16 Bourdon
16 Vox Humana (Ten C)
16 Vox Humana (Ten C)
16 Dulciana (2 rks)
8 English Horn
8 Tuba Mirabilis
8 Solo Trumpet
8 Chorus Trumpet
8 Tuba Horn
8 Diaphonic Diapason
8 Open Diapason
8 Horn Diapason
8 Tibia Clausa
8 Tibia Clausa
8 Tibia Clausa
8 Clarinet
8 Kinura
8 Orchestral Oboe
8 Musette
8 Saxophone
8 Solo String (2 rks)
8 Gamba (2 rks)
8 Cello (2 rks)
8 Viol d'Orchestre (2 rks)
8 Salicional (2 rrks)
8 Krumet
8 Cor Anglais
8 French Horn
8 Oboe Horn
8 Quintadena
8 Lieblich Flute
8 Concert Flute
8 Spitz Flute (2 rks)
8 Vox Humana
8 Vox Humana
8 Dulciana (2 rks)
5 1/3 Fifth (Tibia S)
5 1/3 Fifth (Tibia M)
4 Octave
4 Octave Open
4 Octave Horn
4 Piccolo
4 Piccolo
4 Piccolo
4 Solo String (2 rks)
4 Gambette (2 rks)
4 Cello (2 rks)
4 Viol (2 rks)
4 Salicet (2 rks)
4 Harmonic Flute
4 Lieblich Flute
4 Spitz Flute (2 rks)
4 Dulcet (2 rks)
3 1/5 Tenth (Tibia M)
2 2/3 Twelfth (Tibia S)
2 2/3 Twelfth (Tibia M)
2 2/3 Lieblich Twelfth
2 Piccolo (Tibia)
2 Piccolo (Tibia)
2 Piccolo (Tibia)
2 Fifteenth
2 Lieblich Piccolo
1 3/5 Lieblich Tierce
1 Lieblich Fife
8 Piano
4 Piano
Wood Harp Sub
Wood Harp
Xylophone Sub
Xylophone
Glockenspiel
Chrysoglott
Sub Octave
Unison Off
Octave
Solo on Great
MIDI on Great

ORCHESTRAL
16 Double English Horn
16 Solo Trumpet (Ten C)
16 Ophicleide
16 Tibia Clausa
16 Tibia Clausa (Ten C)
16 Tibia Clausa
16 Saxophone (Ten C)
16 Major Strings (4 rks)
16 Minor Strings (6 rks)
16 Vox Humana (Ten C)
16 Vox Humana (Ten C)
8 English Horn
8 Tuba Mirabilis
8 Solo Trumpet
8 Chorus Trumpet
8 Style D Trumpet
8 Tuba Horn
8 Open Diapason
8 Horn Diapason
8 Tibia Clausa
8 Tibia Clausa
8 Tibia Clausa
8 Clarinet
8 Orchestral Oboe
8 Musette
8 Saxophone
8 Solo String (2 rks)
8 Gamba (2 rks)
8 Cello (2 rks)
8 Minor Strings (4 rks)
8 Krumet
8 Cor Anglais
8 French Horn
8 Vox Humana
8 Vox Humana
4 Piccolo
4 Piccolo
4 Piccolo
4 Solo String (2 rks)
4 Mezzo Strings (4 rks)
4 Minor Strings (4 rks)
4 Harmonic Flute
2 2/3 Twelfth (Tibia S)
2 2/3 Twelfth (Tibia M)
2 Piccolo (Tibia S)
2 Piccolo (Tibia M)
1 3/5 Tierce (Tibia M)
8 Piano
Wood Harp
Xylophone
Glockenspiel
Metal Harp
Vibraharp
Chrysoglott
Sub Octave
Unison Off
Octave
Solo on Orch
MIDI on Orch

ANCILLARY
8 Principal
4 Octave
2 Superoctave
Mixture IV
8 Fanfare Trumpet

BOMBARDE
16 Double English Horn
8 English Horn
8 Tuba Mirabilis
8 Solo Trumpet
8 Chorus Trumpet
8 Style D Trumpet
8 Tuba Horn
8 Diaphonic Diapason
8 Open Diapason
8 Tibia Clausa
8 Tibia Clausa
8 Tibia Clausa
8 Saxophone
8 Major Strings (4 rks)
8 Minor Strings (6 rks)
8 Vox Humana
8 Vox Humana
4 Piccolo
4 Piccolo
4 Piccolo
4 Major Strings (4 rks)
4 Minor Strings (6 rks)
2 2/3 Twelfth (Tibia S)
2 2/3 Twelfth (Tibia M)
2 Piccolo (Tibia)
2 Piccolo (Tibia)
2 Piccolo (Tibia)
1 Fife (Tibia M)
8 Piano
Xylophone
Glockenspiel
Vibraharp
Chrysoglott
Sub Octave
Unison Off
Octave
Great to Bombarde
Great Octave Bombarde
Orch to Bombarde
Solo on Bombarde
MIDI on Bombarde

SOLO
8 Fanfare Trumpet
8 English Horn
8 Tuba Mirabilis
8 Solo Trumpet
8 Chorus Trumpet
8 Style D Trumpet
8 Tuba Horn
8 Diaphonic Diapason
8 Open Diapason
8 Tibia Clausa
8 Tibia Clausa
8 Tibia Clausa
8 Clarinet
8 Kinura
8 Orchestral Oboe
8 Musette
8 Saxophone
8 Major Strings (4 rks)
8 Minor Strings (6 rks)
8 Krumet
8 Cor Anglais
8 French Horn
8 Oboe Horn
8 Vox Humana
8 Vox Humana
8 Piccolo
4 Piccolo
4 Piccolo
4 Harmonic Flute
2 2/3 Twelfth (Tibia S)
2 2/3 Twelfth (Tibia M)
2 Piccolo (Tibia)
2 Piccolo (Tibia)
2 Piccolo (Tibia)
1 3/5 Tierce (Tibia S)
1 3/5 Tierce (Tibia M)
1 1/3 Larigot (Tibia M)
Sub Octave
Unison Off
Octave
MIDI on Solo
8 Piano
Wood Harp Sub
Xylophone
Glockenspiel
Metal Harp
Vibraharp
Cathedral Chimes

ACCOMP 2nd Touch
8 English Horn
8 Tuba Mirabilis
8 Solo Trumpet
8 Chorus Trumpet
8 Tuba Horn
8 Diaphonic Diapason
8 Tibia Clausa S
8 Tibia Clausa M
8 Clarinet
8 French Horn
4 Piccolo (2 rks)
Glockenspiel Octave
Cathedral Chimes
Percussions 2nd Touch
Traps 2nd Touch
Great Octave Accomp
Solo on Accomp
MIDI on Accomp

GREAT 2nd Touch
English Horn 16-8
Solo on Great
Solo on Great PIZZ
MIDI on Great

TREMULANTS
Main
Main Strings
Clarinet
Tibias/Sax/Voxes
Solo
Solo Strings
Tubas
Trumpets
English Horn

KEY CHEEK PISTONS
Unisons Off
Celestes Off
Main Vox 1 Off
Main Vox 2 On
Solo Vox 1 Off
Solo Vox 2 On
Chorus Trumpet Off
Style D Trumpet On
Quintadena Celeste
Horn Diapason Celeste
Master Expression
Marimba Re-it
Chrysoglott Motor
Vibraharp Motor
Ancillary on Solo
Ancillary on Orch
Ancillary on Bombarde
Ancillary on Great
Ancillary on Accomp
Ancillary on Pedal

TOE PISTON EFFECTS
Persian Cymbal
Gong
Wind Chimes
Train
Birds

CHAMBER ANALYSIS

MAIN
1 Chorus Trumpet 8
2 Tuba Horn 16-4
3 "D" Trumpet 8
4 Diaphonic Diapason 32-4
5 Open Diapason 8-4
6 Tibia Clausa 16-2
7 Clarinet 16-8
8 Musette 8
9 Cor Anglais 8
10 Gamba 8-4
11 Gamba Celeste 8-4
12 Viol d'Orchestra 8-2
13 Viol Celeste 8-4
14 Salicional 8-2
15 Salicional Celeste 8-4
16 Oboe Horn 16-8
17 Harmonic Flute 4
18 Concert Flute 16-4
19 Dulciana 16-4
20 Dulciana Celeste 16-4
21 Vox Humana 8-4
22 Vox Humana #2 8-4
23 Violone (Pedal) 32-16
Chrysoglott

SOLO
32 English Posthorn 16-8
33 Tuba Mirabilis 16-8
34 Brass Trumpet 8
35 Horn Diapason/Diaphone 16-4
36 Horn Diapason Celeste 8-4
37 Tibia Clausa 32-2
38 Brass Saxophone 8
39 Orchestral Oboe 8
40 Kinura 8
41 Krumet 8
42 Solo String 16-4
43 Solo String Celeste 8-4
44 Cello 8-4
45 Cello Celeste 8-4
46 French Horn 8
47 Quintadena 8
48 Quintadena Celeste 8
49 Lieblich Flute 8-2
50-51 Spitzflute Celeste II 8-4
52 Vox Humana 8-4
53 Vox Humana #2 8-4

ANCILLARY
24 Principal 8
25 Octave 4
26 Superoctave 2
27-30 Mixture IV
31 Trompette en-chamade 8

PERCUSSION
54 Tibia Clausa 8-2
55 8' Pedal Tibia Pizzicato
Piano
Wood Harp
Wood Harp Re-it
Metal Harp
Vibraharp
Xylophone
Glockenspiel
Chimes

TRAPS
Bass Drum
Tympani
Crash Cymbal
Tap Cymbal
Brush Cymbal
Finger Cymbals
Choke Cymbal
Wood Block
Tambourine
Castanets
Tom-tom
Snare Drum

SOUND EFFECTS
Persian Cymbal
Train
Wind Chimes
Birds
Gong

ALLEN EXPRESSION / CRESCENDO PEDALS

While plastic or wood expression pedals can be found on some church organs, they do not meet Allen's demanding quality standards. Cast Aluminum expression shoes are built to last a lifetime!

EXPRESSION SHOE CAGE

Sturdy metal construction fully protects the organ's interior against damage from pests entering the organ console. Just another example of Allen's dedication to quality and our customers.

PREMIUM KEYBOARDS

The exclusive Allen Premium keyboard is designed to allow the musician to feel the music. These keyboards are built with a level of quality that is the envy of the industry. Each key stick is constructed of wood, felted pivot points and can be individually adjusted to keep them consistent over the long-haul.

ALLEN KEYBOARDS

PLAY VIDEO

The Allen keyboard utilizes sealed contacts and wood keysticks to provide the ultimate in touch and control. The level of quality and adjustability of Allen keyboards makes them the envy of the industry and the choice of discerning musicians.

KEY CONTACT

The key contact, while unseen, is an important part of any church organ. If one fails during a performance, the entire musical program can be compromised. Allen introduced a maintenance-free system in which a sealed reed switch is engaged by magnet. Neither dust nor the environment will compromise your music program with an Allen Organ.

Voice changes made easily!

GENISYS™ Voices provide the tonal diversity of a comprehensive stop list to even the most modest instruments. GENISYS Voices set a new standard for organist-friendly operation and include sounds that enhance every style of worship and organ literature!

  • HD Sound
  • 2 Dedicated GENISYS Voice Stops per Organ Division
  • Over 250 different voices - organ stops, Grand Pianos, orchestral, keyboard and percussion voices
  • Adjustable volume and tuning per voice
  • Voice assignments remain until changed by organist
  • Voices capture to organ pistons
  • Voices can couple between Divisions

PLAY VIDEO
GENISYS™ Voices List (pdf)

STR-4X SPECIFICATIONS

Featuring Two Complete Voicings

32 Theatre Ranks

Solo
Tuba Mirabilis
English Posthorn
Brass Trumpet
Horn Diapason
Horn Diapason Celeste
Solo Tibia Clausa
Kinura
Orchestral Oboe
Krumet
Saxophone
Solo String
Solo String Celeste
Quintadena
Lieblich Flute
Solo Vox Humana

Main
Tuba Horn
"D" Trumpet
Open Diapason
Main Tibia Clausa
Clarinet
Musette
Violin
Violin Celeste
Gamba
Gamba Celeste
Gemshorn
Gemshorn Celeste
Oboe Horn
Concert Flute
Main Vox Humana
Chrysoglott

Percussion
Pedal Pizz. Tibia Clausa
Morton Tibia Clausa
Piano
Glockenspiel
Xylophone
Wood Harp/Marimba
Vibraphone
Solo Chrysoglott
Chimes
Bass Drum
Snare Drum Roll
Tambourine
Castanets
Tom-Tom
Wood Block
Tap Cymbal
Brush Cymbal
Triangle
Choke Cymbal
Splash Cymbal
Persian (roll) Cymbal
Crash Cymbal
Tuned Tympani
Tympani Roll
Auto Horn
Birds
Gong
Siren
Wind Chimes
Train Whistle 

49 Classical Ranks

Solo
Tuba Mirabilis (Skinner)
Festival Trumpet
Trumpet
Open Diapason (Skinner)
Voce Humana
Rohrflote
4' Clarion
Orchestral Oboe (Skinner)
Krummhorn
Cor Anglais
Solo Gamba
Solo Gamba Celeste
Quintadena
Triangle Flute
Vox Humana (Skinner)

Main
Waldhorn
Trumpet (Eng)
Violin Diapason
Lieblich Flute
Bassett Horn
French Horn
Viola Pomposa
Viola Pomposa Celeste
Gamba
Gamba Celeste
Dulciana
Unda Maris
Hautbois
Melodia
Minor Vox Humana
Mixture III
Pedal 16' Open
Pedal Mixture III

Percussion
Pedal Pizz. Tibia Clausa
Harmonic Flute
Open Diapason
Octave 4'
Fifteenth 2'
Mixture IV
Plein Jeu IV
Celesta
Carillon

STR-4X

 

Pedal
32 Contra Diaphone C. Bomb
32 Contra Tibia Clausa
16 Bombarde
16 Double English Horn
16 Ophicleide
16 Diaphone
16 Diaphonic Horn
16 Solo Tibia Clausa
16 Bass Clarinet
16 Contra Gamba 2 Rks
16 Oboe Horn
16 Bourdon
16 Gemshorn 2 Rks
8 Tuba Mirabilis
8 English Horn
8 Tuba Horn
8 Open Diapason
8 Horn Diapason
8 Solo Tibia Clausa
8 Tibia Clausa
8 Tibia Clausa Pizz.
8 Clarinet
8 Cello 2 Rks
8 Flute
Accomp. to Pedal
Great to Pedal
Solo to Pedal
MIDI on Pedal
16 Piano Open Diap.
Bass Drum
Tympani
Crash Cymbal Mixture III
Tap Cymbal
Brush Cymbal

Sound Effects
Splash Cymbal
Wind Chimes
Gong
Birds
Auto Horn
Siren
Train Whistle

Accompaniment
8 Tuba Mirabilis
8 English Horn
8 Trumpet
8 Style D Trumpet
8 Tuba Horn
8 Open Diapason
8 Horn Diapason
8 Solo Tibia Clausa
8 Tibia Clausa
8 Clarinet
8 Solo Sting 2 Rks
8 Violin 2 Rks
8 Gamba 2 Rks
8 Oboe Horn
8 Quintadena
8 Lieblich Flute
8 Concert Flute
8 Vox Humana (S)
8 Vox Humana
4 Octave
4 Octave Horn
4 Piccolo
4 Solo String 2 Rks
4 Viol 2 Rks
4 Gambette 2 Rks
4 Lieblich Flute
4 Concert Flute
4 Vox Humana (M)
2 2/3 Twelfth
2 Piccolo
Octave
Solo on Accomp. Bombarde
MIDI on Accomp.
8 Piano Open Diap.
Harp Sub Mixture IV
Harp Scharf IV
Solo Chrysoglott
Chrysoglott Mixture III
Snare Drum
Castanets
Tambourine
Wood Block
Tom-Tom
Choke Cymbal
Tap Cymbal
Brush Cymbal
Triangle

Accomp. 2nd Touch
8 Tuba Mirabilis
8 English Horn
8 Trumpet
8 Style D Trumpet
8 Tuba Horn
8 Open Diapason
8 Solo Tibia Clausa
8 Clarinet
4 Piccolos
Octave Glockenspiel
Octave 4
Cathedral Chimes
Perc Second Touch
Traps Second Touch
Great Octave to Accomp.
Solo to Accomp.
MIDI on Accomp. 2nd

Solo
8 Tuba Mirabilis
8 English Horn
8 Trumpet
8 Style D Trumpet
8 Tuba Horn
8 Open Diapason
8 Horn Diapason
8 Solo Tibia Clausa
8 Tibia Clausa
8 Clarinet
8 Kinura Clarion 4
8 Orchestral Oboe
8 Musette French Horn
8 Krumet
8 Saxophone
8 Solo String 2 Rks
8 Violin 2 Rks
8 Gamba 2 Rks
8 Quintadena
8 Lieblich Flute
8 Vox Humana (S)
8 Vox Humana
4 Solo Piccolo
4 Piccolo
2 2/3 Solo Twelfth
2 Solo Piccolo
2 Piccolo
1 3/5 Solo Tierce
1 1/3 Solo Larigot
Sub Octave
Unison Off
Octave
6 2/5 Solo Third
5 1/3 Solo Fifth
MIDI on Solo
8 Piano Open Diap.
Glockenspiel Octave 4
Xylophone Fifteenth 2
Harp Sub Mixture IV
Vibraharp Plein Jeu IV
Chrysoglott Sub Mixture III
Cathedral Chimes

Great
16 Bombarde
16 Double English Horn
16 Trumpet (Ten C)
16 Ophicleide
16 Diaphone
16 Diaphonic Horn
16 Solo Tibia Clausa
16 Tibia Clausa (Ten C)
16 Clarinet
16 Orchestral Oboe (Ten C)
16 Musette (Ten C) French Horn
16 Krumet (Ten C)
16 Saxophone (Ten C)
16 Solo String 2 Rks
16 Violin 2 Rks
16 Gamba 2 Rks
16 Oboe Horn
16 Bourdon
16 Vox Humana (S) (Ten C)
16 Vox Humana (Ten C)
8 Tuba Mirabilis
8 English Horn
8 Trumpet
8 Tuba Horn
8 Open Diapason
8 Horn Diapason
8 Solo Tibia Clausa
8 Tibia Clausa
8 Clarinet
8 Kinura Clarion 4
8 Orchestral Oboe
8 Musette French Horn
8 Krumet
8 Saxophone
8 Solo String 2 Rks
8 Violin 2 Rks
8 Gamba 2 Rks
8 Oboe Horn
8 Quintadena
8 Lieblich Flute
8 Concert Flute
8 Vox Humana (S)
8 Vox Humana
5 1/3 Fifth (Tibia)
4 Octave
4 Octave (Horn)
4 Solo Piccolo
4 Piccolo
4 Solo String 2 Rks
4 Viol 2 Rks
4 Gambette 2 Rks
4 Lieblich Flute
4 Concert Flute
3 1/5 Lieblich Tenth Plein Jeu IV
2 2/3 Solo Twelfth
2 2/3 Twelfth
2 Solo Piccolo
2 Piccolo
2 Fifteenth
2 Piccolo
1 Fife (Lieb)
Sub Octave
Unison Off
Octave
Solo on Great
MIDI on Great
8 Piano Open Diap.
Glockenspiel Octave 4
Xylophone Fifteenth 2
Harp Mixture IV
Chrysoglott Mixture III

Great 2nd Touch
16 Double English Horn
8 English Horn
Solo on Great
Solo on Great Pizz.
MIDI on Great 2nd

Bombarde
16 Bombarde
16 Double English Horn
16 Trumpet (Ten C)
16 Ophicleide
16 Diaphone
16 Solo Tibia Clausa
16 Tibia Clausa (Ten C)
16 Krumet (Ten C)
16 Saxophone (Ten C) Clarion 4
16 String Ensemble 6 Rks
16 Vox Humana (S) (Ten C)
16 Vox Humana (Ten C)
8 Tuba Mirabilis
8 English Horn
8 Trumpet
8 Tuba Horn
8 Open Diapason
8 Solo Tibia Clausa
8 Tibia Clausa
8 Krumet
8 Saxophone
8 Solo String 2 Rks
8 Violin 2 Rks
8 Gamba 2 Rks
8 Vox Humana (S)
8 Vox Humana
4 Solo Piccolo
4 Piccolo
4 String Ensemble 6 Rks
2 2/3 Solo Twelfth
2 Solo Piccolo
2 Piccolo
Sub Octave
Octave
Great to Bombarde
Great Octave Bombarde
Solo on Bombarde
MIDI on Bombarde
8 Piano Open Diap.
Glockenspiel Octave 4
Xylophone Fifteenth 2
Harp Mixture IV
Solo Chrysoglott Plein Jeu IV
Chrysoglott Mixture III

Tremulants
Main
Main Strings
Clarinet
Solo
Solo Strings
Tibias
Voxes
Tuba Horn
Tuba Mirabilis
English Horn

Pistons
Great Solo Tibia Off
Great Morton Tibia On
Bombarde Solo Tibia Off
Bombarde Morton Tibia On
Acc./Solo/String>Gems
Great/Solo/String>Gems
So > Gt Melody Coupler
Horn Diapason Celeste On
Marimba Re-it
String Celeste Off
Great Tuba Horn Off
Great Style D Trumpet On
Bombarde Tuba Horn Off
Bombarde Style D Trumpet On
Percussion > Master Expression
Main > Master Expression
32 Contra Tibia (Toe Stud)

ABOUT WALTER STRONY

Walter Strony is one of America's premier concert organists. He has established himself as one of those few organists equally at home playing both theatre and classical organ.

Walt has performed hundreds of concerts worldwide, including many conventions of the American Theatre Organ Society and the American Guild of Organists. He has twice been voted "Organist of the Year" by the ATOS - the only living theatre organist to have received that honor. In 1999, he made his premiere appearance with the Calgary Philharmonic Orchestra.

Walt was inducted into the ATOS Hall of Fame and is also well known for his many fine recordings. His services as a pipe and digital organ consultant are always in demand in addition to his prowess as a concert artist.

ALLEN EXPRESSION / CRESCENDO PEDALS

While plastic or wood expression pedals can be found on some church organs, they do not meet Allen's demanding quality standards. Cast Aluminum expression shoes are built to last a lifetime!

EXPRESSION SHOE CAGE

Sturdy metal construction fully protects the organ's interior against damage from pests entering the organ console. Just another example of Allen's dedication to quality and our customers.

Voice changes made easily!

GENISYS™ Voices provide the tonal diversity of a comprehensive stop list to even the most modest instruments. GENISYS Voices set a new standard for organist-friendly operation and include sounds that enhance every style of worship and organ literature!

  • HD Sound
  • 2 Dedicated GENISYS Voice Stops per Organ Division
  • Over 250 different voices - organ stops, Grand Pianos, orchestral, keyboard and percussion voices
  • Adjustable volume and tuning per voice
  • Voice assignments remain until changed by organist
  • Voices capture to organ pistons
  • Voices can couple between Divisions

PLAY VIDEO
GENISYS™ Voices List (pdf)

TX323 SPECIFICATIONS

Featuring multiple organ Stop Lists: Morton, Wurlitzer, Barton

PEDAL
32 CONTRA VIOLONE
16 OPHICLEIDE
16 DIAPHONE
16 VIOLONE
16 BOURDON
8 ENGLISH POST HORN
8 TRUMPET
8 OPEN DIAPASON
8 SOLO TIBIA CLAUSA
8 TIBIA CLAUSA (PIZZ.)
8 CLARINET
8 FLUTE
16 PIANO
8 PIANO
ACCOMPANIMENT TO PEDAL
BASS DRUM
TAP CYMBAL (BRUSH)
GENISYS VOICE 1
GENISYS VOICE 2

ACCOMPANIMENT
8 ENGLISH POST HORN
8 BRASS TRUMPET
8 TUBA MIRABILIS
8 TRUMPET
8 OPEN DIAPASON
8 TIBIA CLAUSA (m)
8 CLARINET
8 VIOLINS 3 RKS
8 OBOE HORN
8 QUINTADENA
8 CONCERT FLUTE
8 VOX HUMANA
4 OCTAVE
4 PICCOLO (m)
4 CONCERT FLUTE
ACC VIOLINS>DOLCES
OCTAVE
8 PIANO
HARP SUB
HARP
CHRYSOGLOTT
SNARE DRUM
TOM-TOM (CASTANETS)
HI-HAT (TAMBOURINE)
TAP CYMBAL (BRUSH)
ALTERNATE TRAPS
TRAPS TO 2ND T
GENISYS VOICE 3
GENISYS VOICE 4

GREAT
16 ENGLISH POST HORN
16 BRASS TRUMPET (ten c)
16 BOMARDE
16 DIAPHONE
16 SOLO TIBIA CLAUSA (ten c)
16 TIBIA CLAUSA (ten c)
16 CLARINET
16 KRUMET (ten c)
16 ORCHESTRAL OBOE (ten c)
16 SAXAPHONE (ten c)
16 VIOLINS 3 RKS (ten c)
16 VOX HUMANA (ten c)
8 ENGLISH POST HORN
8 BRASS TRUMPET
8 TUBA MIRABILIS
8 TRUMPET
8 OPEN DIAPASON
8 SOLO TIBIA CLAUSA
8 TIBIA CLAUSA
8 CLARINET
8 KRUMET
8 ORCHESTRAL OBOE
8 SAXOPHONE
8 VIOLINS 3 RKS
8 QUINTADENA
8 CONCERT FLUTE
8 VOX HUMANA
5 1/3 FIFTH (TIBIA)
4 OCTAVE
4 SOLO PICCOLO
4 PICCOLO
4 VIOLINS 3 RKS
4 FLUTE
2 2/3 TWELFTH
2 SOLO PICCOLO
2 PICCOLO
2 FIFTEENTH
1 FIFE (FLUTE)
XYLOPHONE
GLOCKENSPIEL
SUB OCTAVE
OCTAVE
SOLO SUB GREAT
SOLO TO GREAT
GENISYS VOICE 5
GENISYS VOICE 6

SOLO
8 ENGLISH POST HORN
8 BRASS TRUMPET
8 TUBA MIRABILIS
8 TRUMPET
8 OPEN DIAPASON
8 SOLO TIBIA CLAUSA
8 TIBIA CLAUSA
8 CLARINET
8 KRUMET
8 ORCHESTRAL OBOE
8 SAXAPHONE
8 VIOLINS 3 RKS
8 CONCERT FLUTE
8 VOX HUMANA
4 SOLO PICCOLO
4 PICCOLO
2 2/3 TWELFTH
2 SOLO PICCOLO
1 3/5 TIERCE
SUB OCTAVE
8 PIANO
HARP SUB
CHRYSOGLOTT
VIBRAPHONE
XYLOPHONE
GLOCKENSPIEL
GENISYS VOICE 7
GENISYS VOICE 8

ACCOMPANIMENT 2ND TOUCH
8 ENGLISH POST HORN
8 BRASS TRUMPET
8 TUBA MIRABILIS
8 TRUMPET
8 SOLO TIBIA CLAUSA
8 CLARINET
GREAT OCTAVE ACC
SOLO TO ACC
PERC ON 2ND
GENISYS VOICE 9
GENISYS VOICE 10

GREAT 2ND TOUCH
16-8 ENLGLISH POST HORN
SOLO TO GREAT
SOLO TO GREAT-PIZZ
GENISYS VOICE 11
GENISYS VOICE 12

TREMULANTS
MAIN
CLARINET
SOLO
TIBIA/VOX

STOP PISTONS
SOLO VIOLIN OFF
SOLO CHIMES
PERCUSSION UNEXPRESSED
MASTER EXPRESSION
HARP RE-IT
MIDI ON PEDAL
VIBE MOTORS ON
GENISYS VOICES COUPLE
MIDI ON SOLO
MIDI ON GREAT 2ND
MIDI ON GREAT
MIDI ON ACC 2ND
MIDI ON ACC

TOE PISTONS
PERSIAN CYMBAL
CRASH CYMBAL
STORM
SIREN
HORN
BIRD
WIND CHIMES
TRAIN WHISTLE

TX323

Classical Suite

PEDAL
32 CONTRA VIOLONE
16 POSAUNE
16 DIAPASON
16 VIOLONE
16 BOURDON
8 FRENCH TROMPETTE
8 TROMBA
8 OCTAVE
8 GEDACKT
8 CROMORNE
8 HARMONIC FLUTE
4 CHORALBASS
MIXTURE III
GREAT TO PEDAL

ACCOMPANIMENT
8 FRENCH TROMPETTE
8 TROMPETE
8 TROMBA
8 TRUMPET
8 PRINCIPAL
8 GEDACKT
8 CROMORNE
8 VIOLAS III
8 OBOE HORN
8 QUINTADENA
8 HARMONIC FLUTE
8 VOX HUMANA
4 OCTAVE
4 GEDACKT
4 HARMONIC FLUTE
MIXTURE IV

GREAT
16 FRENCH TROMPETTE
16 TROMPETE
16 TROMBA
16 DIAPASON
16 BOURDON
16 GEDACKT
16 CROMORNE
16 KRUMET
16 BASSON
16 ENGLISH HORN
16 VIOLAS III
16 VOX HUMANA
8 FRENCH TROMPETTE
8 TROMPETE
8 TROMBA
8 TRUMPET
8 PRINCIPAL
8 BOURDON
8 GEDACKT
8 CROMORNE
8 KRUMET
8 HAUTBOIS
8 ENGLISH HORN
8 VIOLAS III
8 QUINTADENA
8 HARMONIC FLUTE
8 VOX HUMANA
5 1/3 QUINTFLÖTE
4 OCTAVE
4 BOURDON
4 GEDACKT
4 VIOLAS III
4 HARMONIC FLUTE
2 2/3 TWELFTH
2 PICCOLO
2 FIFTEENTH (PRIN)
1 FIFE
MIXTURE IV
MIXTURE III



SOLO
8 FRENCH TROMPETTE
8 TROMPETE
8 TROMBA
8 TRUMPET
8 PRINCIPAL
8 BOURDON
8 GEDACKT
8 CROMORNE
8 KRUMET
8 HAUTBOIS
8 ENGLISH HORN
8 VIOLAS III
8 HARMONIC FLUTE
8 VOX HUMANA
4 BOURDON
4 GEDACKT
2 2/3 NASARD
2 PICCOLO
1 3/5 TIERCE
MIXTURE IV
MIXTURE III

ACCOMPANIMENT 2ND TOUCH
8 ENGLISH POST HORN
8 BRASS TRUMPET
8 TUBA MIRABILIS
8 TRUMPET
8 SOLO TIBIA CLAUSA
8 CLARINET
GREAT OCTAVE ACC
SOLO TO ACC
PERC ON 2ND

GREAT 2ND TOUCH
8 FRENCH TROMPETTE

Voice changes made easily!

GENISYS™ Voices provide the tonal diversity of a comprehensive stop list to even the most modest instruments. GENISYS Voices set a new standard for organist-friendly operation and include sounds that enhance every style of worship and organ literature!

  • HD Sound
  • 2 Dedicated GENISYS Voice Stops per Organ Division
  • Over 250 different voices - organ stops, Grand Pianos, orchestral, keyboard and percussion voices
  • Adjustable volume and tuning per voice
  • Voice assignments remain until changed by organist
  • Voices capture to organ pistons
  • Voices can couple between Divisions

PLAY VIDEO
GENISYS™ Voices List (pdf)

ALLEN EXPRESSION / CRESCENDO PEDALS

While plastic or wood expression pedals can be found on some church organs, they do not meet Allen's demanding quality standards. Cast Aluminum expression shoes are built to last a lifetime!

EXPRESSION SHOE CAGE

Sturdy metal construction fully protects the organ's interior against damage from pests entering the organ console. Just another example of Allen's dedication to quality and our customers.

TX317 SPECIFICATIONS

Featuring multiple organ Stop Lists: Morton, Wurlitzer, Barton

PEDAL
16 OPHICLEIDE
16 DIAPHONE
16 TIBIA CLAUSA
16 VIOLONE
8 ENGLISH POST HORN
8 TUBA HORN
8 OPEN DIAPASON
8 TIBIA CLAUSA (PIZZ.)
8 TIBIA CLAUSA
8 CLARINET
8 FLUTE
ACCOMPANIMENT TO PEDAL
GENISYS VOICE 1
GENISYS VOICE 2
MIDI ON PEDAL
BASS DRUM
TAP CYMBAL (BRUSH)

ACCOMPANIMENT
8 ENGLISH POST HORN
8 TUBA HORN
8 OPEN DIAPASON
8 TIBIA CLAUSA
8 CLARINET
8 VIOLINS 2 RKS
8 QUINTADENA
8 CONCERT FLUTE
8 VOX HUMANA
4 OCTAVE
4 PICCOLO
4 VIOLINS 2 RKS
4 CONCERT FLUTE
CHRYSOGLOTT
SNARE DRUM
TOM-TOM (CASTANETS)
COW BELL (WOOD BLOCK)
HI-HAT (TAMBOURINE)
TAP CYMBAL (BRUSH)
ALTERNATE TRAPS
TRAPS TO 2ND T
GENISYS VOICE 3
GENISYS VOICE 4
MIDI ON ACCOMPANIMENT

GREAT
16 ENGLISH POST HORN
16 TUBA HORN
16 DIAPHONE
16 TIBIA CLAUSA
16 CLARINET
16 ORCHESTRAL OBOE
16 VIOLINS 2 RKS
16 VOX HUMANA
8 ENGLISH POST HORN
8 TUBA HORN
8 OPEN DIAPASON
8 TIBIA CLAUSA
8 CLARINET
8 KINURA
8 ORCHESTRAL OBOE
8 VIOLINS 2 RKS
8 VOX HUMANA
8 VIOLINS 2 RKS
8 QUINTADENA
8 CONCERT FLUTE
8 VOX HUMANA
5 1/3 FIFTH (TIBIA)
4 OCTAVE
4 PICCOLO
4 VIOLINS 2 RKS
2 2/3 TWELFTH
2 PICCOLO
1 FIFE (FLUTE)
GLOCKENSPIEL
XYLOPHONE
SOLO TO GREAT
SOLO TO GREAT PIZZ.
GENISYS VOICE 5
GENISYS VOICE 6
MIDI ON GREAT

SOLO
8 ENGLISH POST HORN
8 TUBA HORN
8 OPEN DIAPASON
8 TIBIA CLAUSA
8 CLARINET
8 KINURA
8 ORCHESTRAL OBOE
8 VIOLINS 2 RKS
8 VOX HUMANA
4 PICCOLO
2 2/3 TWELFTH
2 PICCOLO
1 3/5 TIERCE
SUB OCTAVE
SUB-CHRYSOGLOTT
GLOCKENSPIEL
XYLOPHONE
CATHEDRAL CHIMES
GENISYS VOICE 7
GENISYS VOICE 8
MIDI ON SOLO

ACCOMPANIMENT 2ND TOUCH
8 ENGLISH POST HORN
8 TUBA HORN
8 TIBIA CLAUSA
8 CLARINET
CHRYSOGLOTT
GREAT OCTAVE
SOLO UNISON
GENISYS VOICE 9
GENISYS VOICE 10
MIDI ON ACCOMPANIMENT 2ND

GENERAL
MELODY COUPLER
MASTER EXPRESSION
ACC VIOLINS/DOLCE
CHRYSOGLOTT/WOOD HARP
GENISYS VOICES COUPLER

TREMULANTS
MAIN
SOLO
TIBIA/VOX
TUBA

EFFECTS
PERSIAN CYMBAL
SIREN
TRAIN WHISTLE
HORN
BELL TREE
BIRD

TX317

Classical Suite

PEDAL
16 POSAUNE
16 DIAPASON
16 GEDACKT
16 VIOLONE
8 FRENCH TRUMPETTE
8 OCTAVE
8 GEDACKT
8 CROMORNE
8 HARMONIC FLUTE
MIXTURE III
GREAT TO PEDAL

ACCOMPANIMENT
8 FRENCH TROMPETTE
8 PRINCIPAL
8 GEDACKT
8 CROMORNE
8 VIOLAS II
8 QUINTADENA
8 HARMONIC FLUTE
8 VOX HUMANA
4 OCTAVE
4 GEDACKT
4 HARMONIC FLUTE

GREAT
16 FRENCH TROMPETTE
16 DIAPASON
16 GEDACKT
16 CROMORNE
16 BASSON
16 VIOLAS II
16 VOX HUMANA
8 FRENCH TROMPETT
8 PRINCIPAL
8 GEDACKT
8 CROMORNE
8 HAUTBOIS
8 VIOLAS II
8 QUINTADENA
8 HARMONIC FLUTE
8 VOX HUMANA
5 1/3 QUINTFLÖTE
4 OCTAVE
4 GEDACKT
4 VIOLAS II
2 2/3 TWELFTH
2 PICCOLO
1 FIFE
MIXTURE III
MIXTURE IV



SOLO
8 FRENCH TROMPETTE
8 PRINCIPAL
8 GEDACKT
8 CROMORNE
8 HAUTBOIS
8 VIOLAS II
8 VOX HUMANA
8 GEDACKT
8 CROMORNE
8 KINURA
8 HAUTBOIS
8 VIOLAS II
8 VOX HUMANA
4 GEDACKT
2 2/3 NASARD
2 PICCOLO
1 3/5 TIERCE
MIXTURE III
MIXTURE IV

ACCOMPANIMENT 2ND TOUCH
8 FRENCH TROMPETTE
8 CROMORNE

ALLEN EXPRESSION / CRESCENDO PEDALS

While plastic or wood expression pedals can be found on some church organs, they do not meet Allen's demanding quality standards. Cast Aluminum expression shoes are built to last a lifetime!

EXPRESSION SHOE CAGE

Sturdy metal construction fully protects the organ's interior against damage from pests entering the organ console. Just another example of Allen's dedication to quality and our customers.

Voice changes made easily!

GENISYS™ Voices provide the tonal diversity of a comprehensive stop list to even the most modest instruments. GENISYS Voices set a new standard for organist-friendly operation and include sounds that enhance every style of worship and organ literature!

  • HD Sound
  • 2 Dedicated GENISYS Voice Stops per Organ Division
  • Over 250 different voices - organ stops, Grand Pianos, orchestral, keyboard and percussion voices
  • Adjustable volume and tuning per voice
  • Voice assignments remain until changed by organist
  • Voices capture to organ pistons
  • Voices can couple between Divisions

PLAY VIDEO
GENISYS™ Voices List (pdf)

TX217 SPECIFICATIONS

Featuring multiple organ Stop Lists: Morton, Wurlitzer, Barton

PEDAL
16 OPHICLEIDE
16 DIAPHONE
16 TIBIA CLAUSA
16 VIOLONE
8 ENGLISH POST HORN
8 TUBA HORN
8 OPEN DIAPASON
8 TIBIA CLAUSA (PIZZ.)
8 TIBIA CLAUSA
8 CLARINET
8 FLUTE
ACCOMPANIMENT TO PEDAL
MIDI ON PEDAL
GENISYS VOICE 1
GENISYS VOICE 2
BASS DRUM
TAP CYMBAL

ACCOMPANIMENT
8 ENGLISH POST HORN
8 TUBA HORN
8 OPEN DIAPASON
8 TIBIA CLAUSA
8 CLARINET
8 VIOLINS 2 RKS
8 QUINTADENA
8 CONCERT FLUTE
8 VOX HUMANA
4 OCTAVE
4 PICCOLO
4 VIOLINS 2 RKS
4 CONCERT FLUTE
CHRYSOGLOTT
SNARE DRUM
TOM-TOM
TAMBOURINE
TAP CYMBAL
GENISYS VOICE 3
GENISYS VOICE 4
MIDI ON ACCOMPANIMENT

SOLO
16 ENGLISH POST HORN
16 TUBA HORN
16 DIAPHONE
16 TIBIA CLAUSA
16 CLARINET
16 ORCHESTRAL OBOE
16 VIOLINS 2 RKS
16 VOX HUMANA
8 ENGLISH POST HORN
8 TUBA HORN
8 OPEN DIAPASON
8 TIBIA CLAUSA
8 CLARINET
8 KINURA
8 ORCHESTRAL OBOE
8 VIOLINS 2 RKS
8 VOX HUMANA
5 1/3 FIFTH (TIBIA)
4 OCTAVE
4 PICCOLO
4 VIOLINS 2 RKS
2 2/3 TWELFTH
2 PICCOLO
1 3/5 TIERCE
GLOCKENSPIEL
XYLOPHONE
CATHEDRAL CHIMES
GENISYS VOICE 5
GENISYS VOICE 6
MIDI ON SOLO

TREMULANTS
MAIN
SOLO
TIBIA/VOX

EFFECTS
PERSIAN CYMBAL
SIREN
TRAIN WHISTLE
HORN
BELL TREE
BIRD

TX217

Classical Suite

PEDAL
16 POSAUNE
16 DIAPASON
16 GEDACKT
16 VIOLONE
8 FRENCH TRUMPETTE
8 TUBA HORN
8 OCTAVE
8 TIBIA CLAUSA (PIZZ.)
8 GEDACKT
8 CROMORNE
8 HARMONIC FLUTE
ACCOMPANIMENT TO PEDAL
MIDI ON PEDAL
GENISYS VOICE 1
GENISYS VOICE 2
MIXTURE III
SOLO TO PEDAL

ACCOMPANIMENT
8 FRENCH TROMPETTE
8 TUBA HORN
8 PRINCIPAL
8 GEDACKT
8 CROMORNE
8 VIOLAS II
8 QUINTADENA
8 HARMONIC FLUTE
8 VOX HUMANA
4 OCTAVE
4 GEDACKT
4 VIOLAS II
4 HARMONIC FLUTE
MIXTURE IV
SNARE DRUM
TOM-TOM
TAMBOURINE
TAP CYMBAL
GENISYS VOICE 3
GENISYS VOICE 4
MIDI ON ACCOMPANIMENT

SOLO
16 FRENCH TROMPETTE
16 TUBA HORN
16 DIAPASON
16 GEDACKT
16 CROMORNE
16 BASSON
16 VIOLAS II
16 VOX HUMANA
8 FRENCH TROMPETTE
8 TUBA HORN
8 PRINCIPAL
8 GEDACKT
8 CROMORNE
8 KINURA
8 HAUTBOIS
8 VIOLAS II
8 VOX HUMANA
5 1/3 QUINTFLÖTE
4 OCTAVE
4 GEDACKT
4 VIOLAS II
2 2/3 TWELFTH
2 PICCOLO
1 3/5 TIERCE
MIXTURE III
MIXTURE IV
CATHEDRAL CHIMES
GENISYS VOICE 5
GENISYS VOICE 6
MIDI ON SOLO

TREMULANTS
MAIN
SOLO
TIBIA/VOX

EFFECTS
PERSIAN CYMBAL
SIREN
TRAIN WHISTLE
HORN
BELL TREE
BIRD

Voice changes made easily!

GENISYS™ Voices provide the tonal diversity of a comprehensive stop list to even the most modest instruments. GENISYS Voices set a new standard for organist-friendly operation and include sounds that enhance every style of worship and organ literature!

  • HD Sound
  • 2 Dedicated GENISYS Voice Stops per Organ Division
  • Over 250 different voices - organ stops, Grand Pianos, orchestral, keyboard and percussion voices
  • Adjustable volume and tuning per voice
  • Voice assignments remain until changed by organist
  • Voices capture to organ pistons
  • Voices can couple between Divisions

PLAY VIDEO
GENISYS™ Voices List (pdf)

ALLEN EXPRESSION / CRESCENDO PEDALS

While plastic or wood expression pedals can be found on some church organs, they do not meet Allen's demanding quality standards. Cast Aluminum expression shoes are built to last a lifetime!

EXPRESSION SHOE CAGE

Sturdy metal construction fully protects the organ's interior against damage from pests entering the organ console. Just another example of Allen's dedication to quality and our customers.

DELUXE CONTROLS

Allen designs and builds its own Theatre organ stop controls to provide the highest quality at affordable prices. From state-of-the-art Lumitech™ Stop Tabs with advanced LED's, to moving Stop Tabs, every control choice reflects Allen's uncompromising standards that ensure years of maintenance-free service.

HO-85 STOP LIST

PEDAL
32 PRINCIPAL BASSE
32 SOUBASSE
16 CONTRE BASSE
16 PRINCIPAL
16 SOUBASSE
16 BOURDON DOUX
16 VIOLON
8 OCTAVE
8 BOURDON
8 VIOLONCELLE
4 PRESTANT
4 FLÛTE
FOURNITURE IV
32 CONTRE BOMBARDE
16 BOMBARDE
16 POSAUNE
16 BASSON
8 TROMPETTE DE FÉTE (NC)
8 TROMPETTE
4 CLARION
GENISYS VOICE 1
GENISYS VOICE 2

SWELL
16 BOURDON DOUX
8 DIAPASON
8 COR DE NUIT
8 VIOLE DE GAMBA
8 VOIX CELESTE
4 OCTAVE
4 FLUTE TRAVERSIÈRE
2-2/3 NASARD
2 FLAGEOLET
1-3/5 TIERCE
PLEIN JEU IV
16 BOMBARDE
8 TUBA ANGLAIS (NC)
8 TROMPETTE DE FÉTE (NC)
8 TROMPETTE
8 HAUTBOIS
8 CLARINETTE
8 VOX HUMAINE
4 CLAIRON
CHIMES
TREMULANT
16 SWELL
UNISON OFF
4 SWELL
GENISYS VOICE 3
GENISYS VOICE 4

GREAT
16 PRINCIPAL
8 DIAPASON
8 MONTRE
8 FLÛTE HARMONIQUE
8 BOURDON
8 VIOLE
4 OCTAVE
4 FLÛTE CONIQUE
2-2/3 QUINTE
2 DOUBLETTE
FOURNITURE IV
CORNET V
CYMBALE IV
16 POSAUNE
8 TROMPETE
4 KLARIN
TREMULANT
GENISYS VOICE 5
GENISYS VOICE 6

CHOIR
16 QUINTATON
16 DULCIANA
8 PRINCIPAL
8 FLÛTE CREUSE
8 GEDACKT
8 DULCIANA
8 UNDA MARIS
4 PRESTANT
4 FLUTE DOUCE
4 DOLCAN CELESTE II
2 OCTAVIN
1-1/3 LARIGOT
PLEIN JEU VI
CORNET II
16 BASSON
8 TUBA ANGLAIS (NC)
8 PETITE TROMPETTE
8 CROMORNE
TREMULANT
GENISYS VOICE 7
GENISYS VOICE 8

SOLO
16 CELLOS CELESTE II
8 MAJOR DIAPASON
8 GROSSE FLÛTE
8 GAMBAS CELESTE II
8 FLÛTE CELESTE II
4 VIOLIN CELESTE II
DULCIANA MIXTURE V
16 CORNO DI BASSETTO
8 FRENCH HORN
8 COR ANGLAIS
8 VOX HUMANA
TREMULANT
GENISYS VOICE 9 (FOUR-MANUAL)
GENISYS VOICE 10 (FOUR-MANUAL)

COUPLERS
8 GREAT TO PEDAL
8 CHOIR TO PEDAL
8 SWELL TO PEDAL
4 SWELL TO PEDAL
16 SWELL TO GREAT
8 SWELL TO GREAT
4 SWELL TO GREAT
8 CHOIR TO GREAT
16 SWELL TO CHOIR
8 SWELL TO CHOIR
4 SWELL TO CHOIR
SOLO ON PEDAL
SOLO ON SWELL
SOLO ON GREAT
SOLO ON CHOIR
GENISYS VOICES COUPLE
CELESTES OFF
ALTERNATE TUNING
CG-CH TRANSFER
MELODY COUPLER SW>GT
BASS COUPLER
ANTIPHONAL ON
MAIN OFF
SOLO EXPRESS W/CH
SOLO UNENCLOSED
GT-PD UNENCLOSED
CHOIR UNISON OFF
CHOIR UNENCLOSED

TOE STUD
ZIMBELSTERN
TROMPETTE DE FÉTE

MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON GREAT
MIDI ON CHOIR

ABOUT MAESTRO HECTOR OLIVERA

Since entering the Buenos Aires Conservatory as a child prodigy at age six, Maestro Hector Olivera has become one of the most sought after and revered international concert organists of the present time.

'The Times Reporter', describes an evening with Mr. Olivera as: "An event, a happening, a joyful celebration of the sheer power and pressure that a true virtuoso like Hector Olivera can unleash in a concert hall."

Born in Buenos Aires, Mr. Olivera began playing the pipe organ when he was three. At age five he played for the legendary Eva Perón; at twelve he entered the University of Buenos Aires and by eighteen had performed for heads of state and celebrities throughout Latin America. When offered a scholarship at the renowned Juilliard School of Music in New York, he moved to the United States. Three years later, Mr. Olivera's outstanding professional concert career was launched when he won the AGO's National Improvisation Contest.

Mr. Olivera has performed solo concerts throughout the USA, Canada, Europe, Asia, Australia, Central and Latin America and as guest soloist with prominent symphony orchestras worldwide.

Whether in a prestigious venue like Carnegie Hall, Royal Albert Hall, Cathedral of Notre Dame in Paris, Constitution Hall, Walt Disney Concert Hall in Los Angeles, or in conjunction with a celebrated event like the Olympic games or the Classical Newport Music Festival, the most sophisticated and demanding organ aficionados claim that Maestro Hector Olivera is 'one of the greatest organists in the world today.'


< Harry Helmut, Hector's confidant, travels with Hector around the world to all his concerts. Harry gives Hector advice about performing and tours each performance location looking for good places to eat.

> More Hector Olivera

ABOUT RUDY LUCENTE

Rudolph A. Lucente has been associated with Allen Organs for over twenty years, and recently is known as the designer of the RL-66 and RL-90 organs, comprehensive three-manual and four-manual instruments that have met with acclaim from organists nationwide. He is an assistant organist at the Wanamaker Grand Court Organ in Philadelphia, and appears regularly at Longwood Gardens in Kennett Square, PA, The Kimmel Center for the Performing Arts in Philadelphia, and Boardwalk Hall in Atlantic City, New Jersey. As a recitalist, Rudy is known for his "family friendly" presentations and dedication programs. As a clinician, his fifty-plus years as a church musician have enabled him to assist workshop attendees in most aspects of their important ministry.

Rudy studied organ with Dr. Keith Chapman and also worked with the American/Armenian composer Richard Yardumian. Since their untimely deaths, Rudy has devoted much of his musical activities to the preservation and performance of their works.

Mr. Lucente appears frequently as a recitalist and church music clinician, and is a member of the Philadelphia Organ Quartet, an ensemble that performs music arranged for four organs.

The 66-Stop Rudy Lucente RL-66 Designer church organ is the culmination of his many years of experience in the Catholic music tradition. Employing Allen's advanced technology, the organ is designed with the versatility for both worship and concert use. The stop list includes principal choruses on all divisions and independent Festival Trumpet. The Allen RL-66 offers the flexibility of six specifications to compliment any style of music.

"The RL-90 meets the need for a larger instrument, allowing Allen to offer the right choice to customers seeking the particular capabilities of the RL organs. I incorporated many of the specification attributes from the fine pipe organs that I am privileged to play, and the samples in the RL-90 have been meticulously selected to provide a cohesive ensemble, rich texture, and extraordinary solo voices. It is a privilege to have been asked to assist in this design, and I am confident that the RL-90 will meet with the same success as has the RL-66."

"The process of creating these organs was an exciting and rewarding experience. The combination of Allen's superior technology and their flexibility has resulted in two truly comprehensive instruments." - Rudy Lucente

RL-66a STOP LIST

Standard stop lists: Classic Allen, English, Cavaillé-Coll, Schlicker, Arp Schnitger, Aeolian-Skinner

PEDAL
32 CONTRA VIOLONE
16 DIAPASON
16 BOURDON
16 BOURDON DOUX (SW)
16 VIOLONE (GT)
8 OCTAVE
8 GEDACKT FLÖTE
4 CHORAL BASS
4 FLUTE
MIXTURE IV
32 CONTRE BOMBARDE
16 BOMBARDE
16 CONTRE TROMPETTE (SW)
8 TRUMPET
4 CLARION
GENISYS VOICE 1
GENISYS VOICE 2

SWELL
8 GEIGEN DIAPASON
8 ROHR BOURDON
8 VIOLA POMPOSA
8 VIOLA CELESTE
8 FLUTE CELESTE II
4 OCTAVE GEIGEN
4 TRAVERSE FLUTE
2-2/3 NASARD [4 ORCH. FLUTE]
2 PICCOLO [8 CLARINET]
1-3/5 TIERCE [8 FRENCH HORN]
FOURNITURE IV
16 CONTRE TROMPETTE
8 TROMPETTE
8 OBOE
8 VOX HUMANA [COR ANGLAIS]
4 CLAIRON
TREMULANT
SWELL SOLO VOICES ON
16 SWELL
UNISON OFF
4 SWELL
CELESTA
GENISYS VOICE 3
GENISYS VOICE 4

GREAT
16 VIOLONE
8 DIAPASON
8 HARMONIC FLUTE
8 BOURDON
8 GAMBA
4 OCTAVE
4 FLUTE
2-2/3 TWELFTH
2 FIFTEENTH
MIXTURE IV
16 DOUBLE TRUMPET
8 TROMBA
TREMULANT
CHIMES
MELODY COUPLER CH>GT
GT-PD UNENCLOSED
BASS COUPLER
GT-CH MANUAL TRANSFER
GENISYS VOICE 5
GENISYS VOICE 6

CHOIR
16 ERZÄHLER
8 ENGLISH DIAPASON
8 HOLZ GEDACKT
8 ERZÄHLER
8 ERZÄHLER CELESTE
4 PRINZIPAL
4 KOPPELFLÖTE
4 ERZÄHLER CELESTE II
2 OKTAV
1-1/3 QUINTFLÖTE
ZIMBEL III
8 FESTIVAL TRUMPET
8 KRUMMHORN
TREMULANT
UNISON OFF
CHOIR UNENCLOSED
GENISYS VOICE 7
GENISYS VOICE 8

COUPLERS
8 GREAT TO PEDAL
8 SWELL TO PEDAL
4 SWELL TO PEDAL
8 CHOIR TO PEDAL
16 SWELL TO GREAT
8 SWELL TO GREAT
4 SWELL TO GREAT
8 CHOIR TO GREAT
16 SWELL TO CHOIR
8 SWELL TO CHOIR
4 SWELL TO CHOIR
GENISYS VOICES COUPLE

GENERAL
ALTERNATE TUNING
TREMULANTS FULL

ANTIPHONAL
SWELL MAINS OFF
SWELL TO ANTIPHONAL
GT-CH-PD MAINS OFF
GT-CH-PD TO ANTIPHONAL

TOE STUD
ZIMBELSTERN

MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON GREAT
MIDI ON CHOIR

RL-90 STOP LIST

PEDAL
32 OPEN DIAPASON
32 CONTRE BOURDON
32 CONTRA VIOLONE
16 DIAPASON
16 SECOND DIAPASON (GT)
16 BOURDON
16 BOURDON DOUX (SW)
16 VIOLONE
16 CONTRA GAMBA (SO)
8 OCTAVE
8 GEDACKT FÖTE
8 GAMBA (SO)
4 CHORALBASS
4 FLUTE
MIXTURE IV
32 CONTRE BOMBARDE
32 CONTRA DOUBLE TRUMPET (GT)
16 BOMBARDE
16 DOUBLE TRUMPET (GT)
8 TROMPETTE
4 CLARION
GENISYS VOICE 1
GENISYS VOICE 2

SWELL
16 BOURDON DOUX
8 GEIGEN DIAPASON
8 GEDECKT
8 FLUTE CELESTE II
8 SALICIONAL
8 VOIX CELESTE
4 OCTAVE GEIGEN
4 TRAVERSE FLUTE
2-2/3 NASARD
2 FLAUTINO
1-3/5 TIERCE
FOURNITURE IV
16 POSAUNE
8 CORNOPEAN
8 OBOE D'AMOUR
8 VOX HUMANA
4 CLARION
TREMULANT
16 SWELL
UNISON OFF
4 SWELL
CELESTA
GENISYS VOICE 3
GENISYS VOICE 4

GREAT
16 DOUBLE DIAPASON
16 BOURDON
8 FIRST DIAPASON
8 SECOND DIAPASON
8 STOPPED DIAPASON
8 HARMONIC FLUTE
8 GAMBA
4 OCTAVE
4 SPITZ FLUTE
2-2/3 TWELFTH
2 FIFTEENTH
2 WALD FLUTE
MIXTURE IV
16 DOUBLE TRUMPET
8 TROMBA
TREMULANT
4 GREAT
CHIMES
GENISYS VOICE 5
GENISYS VOICE 6

CHOIR
16 CONTRA VIOLE
8 ENGLISH DIAPASON
8 CONCERT FLUTE
8 VIOLE
8 VIOLE CELESTE
4 OCTAVE
4 CHIMNEY FLUTE
4 VIOLES II
2 PICCOLO
1-1/3 QUINTFLÖTE
DULCIANA MIXTURE V
8 CLARINET
TREMULANT
UNISON OFF
GENISYS VOICE 7
GENISYS VOICE 8

SOLO
16 GAMBA
8 PRINCIPAL
8 FLAUTO MIRABILIS
8 SOLO GAMBA
8 GAMBA CELESTE
4 OCTAVE
4 GAMBETTE CELESTE II
GRAND MIXTURE V
16 TUBA MIRABILIS
8 TUBA MIRABILIS
8 FRENCH HORN
8 CORNO DI BASSETTO
8 ENGLISH HORN
4 OCTAVE MIRABILIS
TREMULANT
GENISYS VOICE 9
GENISYS VOICE 10

ANTIPHONAL
GT-PD MAINS OFF
GT-PD TO ANTIPHONAL
CHOIR MAINS OFF
CHOIR TO ANTIPHONAL
SWELL MAINS OFF
SWELL TO ANTIPHONAL
SOLO MAINS OFF
SOLO TO ANTIPHONAL

GENERAL
ALTERNATE TUNING
TREMULANTS FULL
SOLO UNENCLOSED

COUPLERS
8 GREAT TO PEDAL
4 GREAT TO PEDAL
8 SWELL TO PEDAL
4 SWELL TO PEDAL
8 CHOIR TO PEDAL
4 CHOIR TO PEDAL
8 SOLO TO PEDAL
4 SOLO TO PEDAL
16 SWELL TO GREAT
8 SWELL TO GREAT
4 SWELL TO GREAT
8 CHOIR TO GREAT
8 SOLO TO GREAT
16 SWELL TO CHOIR
8 SWELL TO CHOIR
4 SWELL TO CHOIR
8 SOLO TO CHOIR
8 SOLO TO SWELL
MELODY COUPLER CH>GT
GT-PD UNENCLOSED
BASS COUPLER
GT-CH MANUAL TRANSFER
GENISYS VOICE COUPLE

TOE STUD
ZIMBELSTERN

MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON GREAT
MIDI ON CHOIR
MIDI ON SOLO


ABOUT DIANE BISH - FIRST LADY OF THE ORGAN

Concert and recording artist, composer, conductor and international television personality, Diane Bish has displayed her dazzling virtuosity and unique showmanship the world over. Her performances have been hailed by critics as "stunning, virtuoso, fiery, and astonishing". Through numerous recordings, concerts and weekly television appearances, Diane Bish is the most visible American organist today.

Diane is perhaps best known through the international television series, The Joy of Music, in which she combines exhilarating organ and ensemble performances with an informative, inspirational narrative and exciting world travel. In 25 years, over 500 programs have been recorded in famous cathedrals and concert halls on the organs of the world!

In 1989, Diane was awarded the National Citation by the National Federation of Music Clubs of America "for distinguished service to the musical, artistic, and cultural life of the nation," considered to be the Federation's highest honor. Diane Bish shares this rare distinction with such legends as Leonard Bernstein, Eugene Ormandy, Van Cliburn, Robert Shaw, Irving Berlin and Fred Waring.

DB-372 STOP LIST

PEDAL

32 CONTRA VIOLONE
16 DIAPASON
16 BOURDON
16 BOURDON DOUX (SW)
16 VIOLONE (GT)
8 OCTAVE
8 GEDACKT FLÖTE
4 CHORALBASS
4 FLUTE
MIXTURE IV
32 CONTRE BOMBARDE
16 BOMBARDE
16 CONTRE TROMPETTE (SW)
8 TRUMPET
4 CLARION
GENISYS VOICE 1
GENISYS VOICE 2

SWELL
16 BOURDON DOUX
8 ROHR BOURDON
8 FLUTE CELESTE II
8 VIOLA POMPOSA
8 VIOLA CELESTE
4 OCTAVE GEIGEN
4 TRAVERSE FLUTE
2-2/3 NASARD [8 ORCH. FLUTE]
2 PICCOLO [8 CLARINET]
1-3/5 TIERCE [8 FRENCH HORN]
FOURNITURE IV
16 CONTRE TROMPETTE
8 TROMPETTE
8 OBOE
8 VOX HUMANA [COR ANGLAIS]
4 CLAIRON
CELESTA
16 SWELL
UNISON OFF
4 SWELL
TREMULANT
SWELL SOLO VOICES ON
GENISYS VOICE 3
GENISYS VOICE 4

GREAT
16 VIOLONE
8 DIAPASON
8 HARMONIC FLUTE
8 BOURDON
8 GAMBA
4 OCTAVE
4 FLUTE
2-2/3 TWELFTH
2 FIFTEENTH
MIXTURE IV
CYMBALE III
8 TROMBA
TREMULANT
CHIMES
GENISYS VOICE 5
GENISYS VOICE 6
GT-PD UNENCLOSED
BASS COUPLER
MELODY COUPLER CH>GT
BASS COUPLER

CHOIR
16 ERZÄHLER
8 HOLZ GEDACKT
8 ERZÄHLER
8 ERZÄHLER CELESTE
4 PRINZIPAL
4 KOPPELFLÖTE
4 ERZÄHLER CELESTE II
2 OKTAV
1 1/3 QUINTFLÖTE
ZIMBEL III
16 RANKETT
8 FESTIVAL TRUMPET
8 KRUMMHORN
CHOIR UNISON OFF
TREMULANT
CHOIR UNENCLOSED
GENISYS VOICE 7
GENISYS VOICE 8

GENERAL
GT-CH MANUAL TRANSFER
ALTERNATE TUNING
TREMULANTS FULL

COUPLERS
8 GREAT TO PEDAL
8 SWELL TO PEDAL
4 SWELL TO PEDAL
8 CHOIR TO PEDAL
16 SWELL TO GREAT
8 SWELL TO GREAT
4 SWELL TO GREAT
8 CHOIR TO GREAT
16 SWELL TO CHOIR
8 SWELL TO CHOIR
4 SWELL TO CHOIR
GENISYS VOICE COUPLE

ANTIPHONAL
SWELL MAINS OFF
SWELL TO ANTIPHONAL
GT-CH-PD MAINS OFF
GT-CH-PD TO ANTIPHONAL

MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON GREAT
MIDI ON CHOIR

PISTON
ZIMBELSTERN


ITALICS INDICATE SWELL SOLO VOICES

 

ABOUT ARAM BASMADJIAN

Aram Basmadjian is one of the most accomplished organ virtuosos in America. He provides diverse programs that have won acclaim from audiences and critics alike for being musically appropriate for all audiences. Aram has several recordings on Allen instruments, and continues his career as a touring concert artist, having spent six years with Community Concerts with performances in over 50 cities throughout the United States each year. These programs utilized Aram's own Allen four-manual touring organ. Aram currently serves as the Organist/Choirmaster at Trinity Episcopal Church in Bethlehem, PA, and is also Executive Vice President of Sales of Allen Organ Company.

About the ABIII/68

This 68-stop Aram Basmadjian design can effectively and convincingly play music of all styles and eras with equal facility. Employing Allen's state-of-the-art GENISYS™ Technology, the organ is equally at home in a church sanctuary or the concert hall.

"The design emphasizes the apotheosis of American organ building as conceived by legendary organ designer, G. Donald Harrison, during the mid-twentieth century. Rich foundation tones with brilliant mixtures, colorful flutes, imitative solo reeds and warm string-toned stops indulge the organist with great musical versatility.

The organ incorporates a 34-channel audio system. The unique audio design employs specialized speaker cabinets for upper-range voices allowing this expansive audio system to produce sound with impressive clarity and spaciousness, yet fit comfortably into chambers of moderate size."

- Aram Basmadjian

ABIII/68 STOP LIST

PEDAL

32 CONTRA BOURDON
16 DIAPASON
16 BOURDON
16 BOURDON DOUX (SW)
16 VIOLONE (GT)
16 DULCIANA (CH)
8 OCTAVE
8 GEDECKT
4 GEDECKT
MIXTURE IV
32 CONTRE BOMBARDE
16 BOMBARDE
16 WALDHORN (SW)
8 TRUMPET
4 CLARION
GENISYS VOICE 1
GENISYS VOICE 2

SWELL
8 DIAPASON
8 ROHR FLUTE
8 FLUTE CELESTE II
8 SALICIONAL
8 VOIX CELESTE
4 OCTAVE GEIGEN
4 TRIANGLE FLUTE
2-2/3 NASARD [8 FLAUTO MIRABILIS]
2 OCTAVIN [8 CLARINET]
1-3/5 TIERCE [8 FRENCH HORN]
MIXTURE V
16 WALDHORN
8 TROMPETTE
8 OBOE
8 VOX HUMANA [COR ANGLAIS]
4 CLAIRON
CELESTA
16 SWELL
UNISON OFF
4 SWELL
TREMULANT
SWELL SOLO VOICES ON
GENISYS VOICE 3
GENISYS VOICE 4

GREAT
16 VIOLONE
8 FIRST DIAPASON
8 SECOND DIAPASON
8 BOURDON
8 GAMBA
4 OCTAVE
4 FLUTE
2-2/3 TWELFTH
2 FIFTEENTH
MIXTURE IV
8 TROMBA
4 CLARION
CHIMES
TREMULANT
GENISYS VOICE 5
GENISYS VOICE 6
GT-PD EXPRESS W/CHOIR
BASS COUPLER
MELODY COUPLER CH>GT
GT-CH MANUAL TRANSFER

CHOIR
16 DULCIANA
8 GEIGEN PRINCIPAL
8 CONCERT FLUTE
8 ERZÄHLER
8 ERZÄHLER CELESTE
8 DULCIANA
8 UNDA MARIS
4 PRINZIPAL
4 FLÚTE D’ AMORE
4 DULCIANA
2 PICCOLO
CARILLON III
8 TUBA MIRABILIS
8 CROMORNE
TREMULANT
GENISYS VOICE 7
GENISYS VOICE 8
UNISON OFF
CHOIR UNENCLOSED

COUPLERS
8 GREAT TO PEDAL
8 SWELL TO PEDAL
4 SWELL TO PEDAL
8 CHOIR TO PEDAL
16 SWELL TO GREAT
8 SWELL TO GREAT
4 SWELL TO GREAT
8 CHOIR TO GREAT
16 SWELL TO CHOIR
8 SWELL TO CHOIR
4 SWELL TO CHOIR
GENISYS VOICE COUPLE

GENERAL
ALTERNATE TUNING
TREMULANTS FULL
REEDS OFF
MIXTURES OFF
PEDAL DIVIDE

TOE STUD
ZIMBELSTERN

MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON GREAT
MIDI ON CHOIR

ITALICS INDICATE SWELL SOLO VOICES

 

GX-570a STOP LIST

Standard stop lists: Classic Allen, English, Cavaillé-Coll, Schlicker, Arp Schnitger, Aeolian-Skinner

PEDAL
64 RESULTANT
32 CONTRE BOURDON
32 CONTRA VIOLONE
32 GAMBA (ST)
32 VIOLONE (ST)
16 DIAPASON
16 BOURDON
16 BOURDON DOUX (SW)
16 VIOLONE
16 GAMBA (ST)
16 VIOLONE (ST)
8 OCTAVE
8 GEDACKT FLÖTE
4 CHORALBASS
4 FLÛTE
MIXTURE IV
32 CONTRE BOMBARDE
32 CONTRA DOUBLE TRUMPET (GT)
16 BOMBARDE
16 DOUBLE TRUMPET (GT)
8 TROMPETTE
4 CLARION
GENISYS VOICE 1
GENISYS VOICE 2

SWELL
16 BOURDON DOUX
8 GEIGEN DIAPASON
8 BOURDON
8 FLUTE CELESTE II
8 SALICIONAL
8 VOIX CELESTE
4 OCTAVE GEIGEN
4 TRAVERSE FLUTE
2 2/3 NASARD
2 PICCOLO
1 3/5 TIERCE
FOURNITURE IV
16 CONTRE TROMPETTE
8 TROMPETTE
8 HAUTBOIS
8 VOX HUMANA
4 CLAIRON
CELESTA (SO)
TREMULANT
16 SWELL
UNISON OFF
4 SWELL
GENISYS VOICE 3
GENISYS VOICE 4

STRING
1ST VIOLE II
2ND VIOLE II
8 GAMBA II
8 SALICIONAL II
4 DULCET II
4 SALICET II
2 VIOLINA II
DULCIANA MIXTURE V
TREMULANT
CELESTES OFF
16 PEDAL STRINGS
8 PEDAL STRINGS
4 PEDAL STRINGS
STRING EXPRESS W/SWELL
STRING EXPRESS W/GREAT-PEDAL
STRING EXPRESS W/CHOIR
GENISYS VOICE 11
GENISYS VOICE 12

GREAT
16 DOUBLE DIAPASON
16 BOURDON
8 DIAPASON
8 HARMONIC FLUTE
8 BOURDON
8 GAMBA
4 OCTAVE
4 SPITZ FLUTE
2 2/3 TWELFTH
2 FIFTEENTH
2 WALD FLUTE
MIXTURE IV
SHARP MIXTURE III
16 DOUBLE TRUMPET
8 TROMBA
CHIMES
TREMULANT
GT-PD UNENCLOSED
BASS COUPLER
GENISYS VOICE 5
GENISYS VOICE 6

CHOIR
16 CONTRA VIOLE
8 DIAPASON
8 HOLZ GEDACKT
8 VIOLE
8 VIOLE CELESTE
4 PRINZIPAL
4 KOPPELFLÖTE
4 VIOLES II
2 OKTAV
1 1/3 QUINTFLÖTE
CYMBALE III
8 CROMORNE
TREMULANT
GENISYS VOICE 7
GENISYS VOICE 8
CHOIR UNISON OFF
CHOIR UNENCLOSED
MELODY COUPLER CH>GT
GT-CH MANUAL TRANSFER
CHOIR MAINS OFF
CHOIR TO ANTIPHONAL

SOLO
16 GAMBA CELESTE II
8 FLAUTO MIRABILIS
8 SOLO GAMBA
8 GAMBA CELESTE
4 GAMBETTE CELESTE II
16 TUBA MIRABILIS
8 FESTIVAL TRUMPET
8 TUBA MIRABILIS
8 FRENCH HORN
8 CORNO DI BASSETTO
8 COR ANGLAIS
4 OCTAVE MIRABILIS
CELESTA
HARPSICHORD
TREMULANT
GENISYS VOICE 9
GENISYS VOICE 10

COUPLERS
8 GREAT TO PEDAL
4 GREAT TO PEDAL
8 SWELL TO PEDAL
4 SWELL TO PEDAL
8 CHOIR TO PEDAL
8 SOLO TO PEDAL
8 SOLO TO SWELL
16 SWELL TO GREAT
8 SWELL TO GREAT
4 SWELL TO GREAT
8 CHOIR TO GREAT
8 SOLO TO GREAT
16 SWELL TO CHOIR
8 SWELL TO CHOIR
4 SWELL TO CHOIR
8 SOLO TO CHOIR
16 STRING ON SWELL
8 STRING ON SWELL
4 STRING ON SWELL
16 STRING ON GREAT
8 STRING ON GREAT
4 STRING ON GREAT
16 STRING ON CHOIR
8 STRING ON CHOIR
4 STRING ON CHOIR
16 STRING ON SOLO
8 STRING ON SOLO
4 STRING ON SOLO
GENISYS VOICES COUPLE

GENERAL
ALL SWELLS TO SWELL
SOLO UNENCLOSED
TREMULANTS FULL
ALTERNATE TUNING

ANTIPHONAL
GT-PD MAINS OFF
GT-PD TO ANTIPHONAL
SOLO MAINS OFF
SOLO TO ANTIPHONAL
SWELL MAINS OFF
SWELL TO ANTIPHONAL
STRING MAINS OFF
STRING TO ANTIPHONAL

MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON STRING
MIDI ON GREAT
MIDI ON CHOIR
MIDI ON SOLO

TOE STUD
ZIMBELSTERN

From the multiple stop list versatility to the distinct sounds available in all ALLEN organs, each stop list is independently voiced with its own audio settings.

CLASSIC ALLEN

The "signature" specification that made Allen the world's favorite organ! Allen tonal directors created the specifications of Allen digital organs by selecting their favorite samples from fine pipe organs throughout the world.

ENGLISH (mainly Willis samples)

Characterized by Diapasons and weighty reeds, this style of organ building was brought to its height by renowned 19th-century British organ craftsman Henry Willis.

CAVAILLÉ-COLL/French Romantic

Progenitor and master of the 19th-century French style with fiery and dominant reeds; symphonic tonal schemes.

SCHLICKER/Neo-Baroque

Neo-Baroque scalings by The Schlicker Organ Company; 20th-century revival of 17th-century North German ideals.

ARP SCHNITGER

Master German builder who brought the bright, incisive Werkprinzip style to its zenith.

AEOLIAN-SKINNER

Under the tonal direction of G. Donald Harrison, this company developed the American Classic tonal design, characterized by firm and articulate principals, bright mixtures and French-style reeds. Its versatility enables the American Classic to authentically perform a broad range of musical styles.

ALLEN EXPRESSION / CRESCENDO PEDALS

While plastic or wood expression pedals can be found on some church organs, they do not meet Allen's demanding quality standards. Cast Aluminum expression shoes are built to last a lifetime!

EXPRESSION SHOE CAGE

Sturdy metal construction fully protects the organ's interior against damage from pests entering the organ console. Just another example of Allen's dedication to quality and our customers.

GX-470a STOP LIST

Standard stop lists: Classic Allen, English, Cavaillé-Coll, Schlicker, Arp Schnitger, Aeolian-Skinner

PEDAL
64 RESULTANT
32 CONTRE BOURDON
32 CONTRA VIOLONE
32 GAMBA (ST)
32 VIOLONE (ST)
16 DIAPASON
16 BOURDON
16 BOURDON DOUX (SW)
16 VIOLONE
16 GAMBA (ST)
16 VIOLONE (ST)
8 OCTAVE
8 GEDACKT FLÖTE
4 CHORALBASS
4 FLÛTE
MIXTURE IV
32 CONTRE BOMBARDE
32 CONTRA DOUBLE TRUMPET (GT)
16 BOMBARDE
16 DOUBLE TRUMPET (GT)
8 TROMPETTE
4 CLARION
GENISYS VOICE 1
GENISYS VOICE 2

SWELL
16 BOURDON DOUX
8 GEIGEN DIAPASON
8 BOURDON
8 FLUTE CELESTE II
8 SALICIONAL
8 VOIX CELESTE
4 OCTAVE GEIGEN
4 TRAVERSE FLUTE
2 2/3 NASARD
2 PICCOLO
1 3/5 TIERCE
FOURNITURE IV
16 CONTRE TROMPETTE
8 TROMPETTE
8 HAUTBOIS
8 VOX HUMANA
4 CLAIRON
CELESTA (SO)
TREMULANT
16 SWELL
UNISON OFF
4 SWELL
GENISYS VOICE 3
GENISYS VOICE 4

STRING
1ST VIOLE II
2ND VIOLE II
8 GAMBA II
8 SALICIONAL II
4 DULCET II
4 SALICET II
2 VIOLINA II
DULCIANA MIXTURE V
TREMULANT
CELESTES OFF
16 PEDAL STRINGS
8 PEDAL STRINGS
4 PEDAL STRINGS
STRING EXPRESS W/SWELL
STRING EXPRESS W/GREAT-PEDAL
STRING EXPRESS W/CHOIR

GREAT
16 DOUBLE DIAPASON
16 BOURDON
8 DIAPASON
8 HARMONIC FLUTE
8 BOURDON
8 GAMBA
4 OCTAVE
4 SPITZ FLUTE
2 2/3 TWELFTH
2 FIFTEENTH
2 WALD FLUTE
MIXTURE IV
SHARP MIXTURE III
16 DOUBLE TRUMPET
8 TROMBA
CHIMES
TREMULANT
GT-PD UNENCLOSED
BASS COUPLER
GENISYS VOICE 5
GENISYS VOICE 6

CHOIR
16 CONTRA VIOLE
8 DIAPASON
8 HOLZ GEDACKT
8 VIOLE
8 VIOLE CELESTE
4 PRINZIPAL
4 KOPPELFLÖTE
4 VIOLES II
2 OKTAV
1 1/3 QUINTFLÖTE
CYMBALE III
8 CROMORNE
TREMULANT
GENISYS VOICE 7
GENISYS VOICE 8
CHOIR UNISON OFF
CHOIR UNENCLOSED
MELODY COUPLER CH>GT
GT-CH MANUAL TRANSFER
CHOIR MAINS OFF
CHOIR TO ANTIPHONAL

SOLO
16 GAMBA CELESTE II
8 FLAUTO MIRABILIS
8 SOLO GAMBA
8 GAMBA CELESTE
4 GAMBETTE CELESTE II
16 TUBA MIRABILIS
8 FESTIVAL TRUMPET
8 TUBA MIRABILIS
8 FRENCH HORN
8 CORNO DI BASSETTO
8 COR ANGLAIS
4 OCTAVE MIRABILIS
CELESTA
HARPSICHORD
TREMULANT
GENISYS VOICE 9
GENISYS VOICE 10

COUPLERS
8 GREAT TO PEDAL
4 GREAT TO PEDAL
8 SWELL TO PEDAL
4 SWELL TO PEDAL
8 CHOIR TO PEDAL
8 SOLO TO PEDAL
8 SOLO TO SWELL
16 SWELL TO GREAT
8 SWELL TO GREAT
4 SWELL TO GREAT
8 CHOIR TO GREAT
8 SOLO TO GREAT
16 SWELL TO CHOIR
8 SWELL TO CHOIR
4 SWELL TO CHOIR
8 SOLO TO CHOIR
16 STRING ON SWELL
8 STRING ON SWELL
4 STRING ON SWELL
16 STRING ON GREAT
8 STRING ON GREAT
4 STRING ON GREAT
16 STRING ON CHOIR
8 STRING ON CHOIR
4 STRING ON CHOIR
16 STRING ON SOLO
8 STRING ON SOLO
4 STRING ON SOLO
GENISYS VOICES COUPLE

GENERAL
ALL SWELLS TO SWELL
SOLO UNENCLOSED
TREMULANTS FULL
ALTERNATE TUNING

ANTIPHONAL
GT-PD MAINS OFF
GT-PD TO ANTIPHONAL
SOLO MAINS OFF
SOLO TO ANTIPHONAL
SWELL MAINS OFF
SWELL TO ANTIPHONAL
STRING MAINS OFF
STRING TO ANTIPHONAL

MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON GREAT
MIDI ON CHOIR
MIDI ON SOLO

TOE STUD
ZIMBELSTERN

From the multiple stop list versatility to the distinct sounds available in all ALLEN organs, each stop list is independently voiced with its own audio settings.

CLASSIC ALLEN

The "signature" specification that made Allen the world's favorite organ! Allen tonal directors created the specifications of Allen digital organs by selecting their favorite samples from fine pipe organs throughout the world.

ENGLISH (mainly Willis samples)

Characterized by Diapasons and weighty reeds, this style of organ building was brought to its height by renowned 19th-century British organ craftsman Henry Willis.

CAVAILLÉ-COLL/French Romantic

Progenitor and master of the 19th-century French style with fiery and dominant reeds; symphonic tonal schemes.

SCHLICKER/Neo-Baroque

Neo-Baroque scalings by The Schlicker Organ Company; 20th-century revival of 17th-century North German ideals.

ARP SCHNITGER

Master German builder who brought the bright, incisive Werkprinzip style to its zenith.

AEOLIAN-SKINNER

Under the tonal direction of G. Donald Harrison, this company developed the American Classic tonal design, characterized by firm and articulate principals, bright mixtures and French-style reeds. Its versatility enables the American Classic to authentically perform a broad range of musical styles.

ALLEN EXPRESSION / CRESCENDO PEDALS

While plastic or wood expression pedals can be found on some church organs, they do not meet Allen's demanding quality standards. Cast Aluminum expression shoes are built to last a lifetime!

EXPRESSION SHOE CAGE

Sturdy metal construction fully protects the organ's interior against damage from pests entering the organ console. Just another example of Allen's dedication to quality and our customers.

GX-460a STOP LIST

Standard stop lists: Classic Allen, English, Cavaillé-Coll, Schlicker, Arp Schnitger, Aeolian-Skinner

PEDAL
64 RESULTANT
32 CONTRA VIOLONE
32 CONTRE BOURDON
16 DIAPASON
16 BOURDON
16 BOURDON DOUX (SW)
16 VIOLONE
16 CONTRA GAMBA (SO)
8 OCTAVE
8 GEDACKT FLÖTE
8 GAMBA (SO)
4 CHORALBASS
4 FLÛTE
MIXTURE IV
32 CONTRE BOMBARDE
32 CONTRA DOUBLE TRUMPET (GT)
16 BOMBARDE
16 DOUBLE TRUMPET (GT)
8 TROMPETTE
4 CLARION
GENISYS VOICE 1
GENISYS VOICE 2

SWELL
16 BOURDON DOUX
8 GEIGEN DIAPASON
8 BOURDON
8 FLUTE CELESTE II
8 SALICIONAL
8 VOIX CELESTE
4 OCTAVE GEIGEN
4 TRAVERSE FLUTE
2 2/3 NASARD
2 PICCOLO
1 3/5 TIERCE
FOURNITURE IV
16 CONTRE TROMPETTE
8 TROMPETTE
8 HAUTBOIS
8 VOX HUMANA
4 CLAIRON
CELESTA (SO)
HARPSICHORD (SO)
16 SWELL
UNISON OFF
4 SWELL
TREMULANT
ALL SWELLS TO SWELL
GENISYS VOICE 3
GENISYS VOICE 4

GREAT
16 DOUBLE DIAPASON
16 BOURDON
8 DIAPASON
8 HARMONIC FLUTE
8 BOURDON
8 GAMBA
4 OCTAVE
4 SPITZ FLUTE
2 2/3 TWELFTH
2 FIFTEENTH
2 WALD FLUTE
MIXTURE IV
SHARP MIXTURE III
16 DOUBLE TRUMPET
8 TROMBA
CHIMES
TREMULANT
GT-PD UNENCLOSED
GENISYS VOICE 5
GENISYS VOICE 6

CHOIR
16 CONTRA VIOLE
8 DIAPASON
8 HOLZ GEDACKT
8 VIOLE
8 VIOLE CELESTE
4 PRINZIPAL
4 KOPPELFLÖTE
4 VIOLES II
2 OKTAV
1 1/3 QUINTFLÖTE
CYMBALE III
8 CROMORNE
TREMULANT
GT-CH MANUAL TRANSFER
GENISYS VOICE 7
GENISYS VOICE 8

SOLO
16 GAMBA CELESTE II
8 SOLO GAMBA
8 GAMBA CELESTE
4 GAMBETTE CELESTE II
8 FLAUTO MIRABILIS
8 FRENCH HORN
8 CORNO DI BASSETTO
8 COR ANGLAIS
TREMULANT
16 TUBA MIRABILIS
8 TUBA MIRABILIS
4 OCTAVE MIRABILIS
CELESTA
SOLO UNENCLOSED
GENISYS VOICE 9
GENISYS VOICE 10

COUPLERS
8 GREAT TO PEDAL
4 GREAT TO PEDAL
8 SWELL TO PEDAL
4 SWELL TO PEDAL
8 CHOIR TO PEDAL
8 SOLO TO PEDAL
16 SWELL TO GREAT
8 SWELL TO GREAT
4 SWELL TO GREAT
8 CHOIR TO GREAT
8 SOLO TO GREAT
16 SWELL TO CHOIR
8 SWELL TO CHOIR
4 SWELL TO CHOIR
CHOIR UNISON OFF
8 SOLO TO CHOIR
8 SOLO TO SWELL
BASS COUPLER
MELODY COUPLER CH>GT
GT-CH MANUAL TRANSFER
GENISYS VOICES COUPLE

GENERAL
ALTERNATE TUNING
TREMULANTS FULL

ANTIPHONAL
GT-PD MAINS OFF
GT-PD TO ANTIPHONAL
CHOIR MAINS OFF
CHOIR TO ANTIPHONAL
SWELL MAINS OFF
SWELL TO ANTIPHONAL
SOLO MAINS OFF
SOLO TO ANTIPHONAL

MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON GREAT
MIDI ON CHOIR
MIDI ON SOLO

From the multiple stop list versatility to the distinct sounds available in all ALLEN organs, each stop list is independently voiced with its own audio settings.

CLASSIC ALLEN

The "signature" specification that made Allen the world's favorite organ! Allen tonal directors created the specifications of Allen digital organs by selecting their favorite samples from fine pipe organs throughout the world.

ENGLISH (mainly Willis samples)

Characterized by Diapasons and weighty reeds, this style of organ building was brought to its height by renowned 19th-century British organ craftsman Henry Willis.

CAVAILLÉ-COLL/French Romantic

Progenitor and master of the 19th-century French style with fiery and dominant reeds; symphonic tonal schemes.

SCHLICKER/Neo-Baroque

Neo-Baroque scalings by The Schlicker Organ Company; 20th-century revival of 17th-century North German ideals.

ARP SCHNITGER

Master German builder who brought the bright, incisive Werkprinzip style to its zenith.

AEOLIAN-SKINNER

Under the tonal direction of G. Donald Harrison, this company developed the American Classic tonal design, characterized by firm and articulate principals, bright mixtures and French-style reeds. Its versatility enables the American Classic to authentically perform a broad range of musical styles.

DELUXE CONTROLS

Allen designs and builds its own controls to provide the highest quality at affordable prices. From state-of-the-art Lumitech™ stops with advanced LED's to moving drawknobs, every control choice reflects Allen's uncompromising standards that ensure years of maintenance-free service.

The HISTORIQUE IIIG, 34 Stop, Two-manual organ is equipped with Allen's efficient LED stop controls.

HISTORIQUE IIIG STOP LIST

Standard stop lists: Classic Allen, English, Cavaillé-Coll, Schlicker, Arp Schnitger, Aeolian-Skinner, Wurlitzer, Barton, Morton

PEDAL
16 BOURDON
16 BOURDON DOUX (SW)
8 OCTAVE
8 GEDACKTFLÖTE
4 CHORAL BASS
MIXTURE IV
16 POSAUNE
4 CLARION
GENISYS VOICE 1 (OPTIONAL)
GENISYS VOICE 2 (OPTIONAL)
GREAT TO PEDAL
SWELL TO PEDAL
POSITIV TO PEDAL
BASS COUPLER

SWELL
8 GEDACKT
8 SALICIONAL
8 VOIX CELESTE
4 PRINCIPAL
4 TRAVERS-FLÖTE
2-2/3 NASAT
2 BLOCKFLÖTE
1-3/5 TIERCE
MIXTURE IV
16 BASSON
8 TROMPETTE
GENISYS VOICE 3 (OPTIONAL)
GENISYS VOICE 4 (OPTIONAL)
TREMULANT

GREAT
16 LIEBLICH GEDACKT (SW)
8 PRINCIPAL
8 HARMONIC FLUTE
4 OCTAVE
4 SPITZFLÖTE
2 SUPER OCTAVE
MIXTURE IV
8 TROMPETTE
GENISYS VOICE 5 (OPTIONAL)
GENISYS VOICE 6 (OPTIONAL)
TREMULANT
SWELL TO GREAT
POSITIV TO GREAT
ALTERNATE TUNING
GT-PD UNENCLOSED

POSITIV
8 HOLZ GEDACKT
4 PRINZIPAL
4 KOPPELFLÖTE
2 OKTAVE
1 1/3 QUINTFLÖTE
MIXTURE II
8 KRUMMHORN
GENISYS VOICE 7 (OPTIONAL)
GENISYS VOICE 8 (OPTIONAL)
TREMULANT
SWELL TO POSITIV
GENISYS VOICES COUPLE

MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON GREAT
MIDI ON POSITIV

From the multiple stop list versatility to the distinct sounds available in all ALLEN organs, each stop list is independently voiced with its own audio settings.

CLASSIC ALLEN

The "signature" specification that made Allen the world's favorite organ! Allen tonal directors created the specifications of Allen digital organs by selecting their favorite samples from fine pipe organs throughout the world.

ENGLISH (mainly Willis samples)

Characterized by Diapasons and weighty reeds, this style of organ building was brought to its height by renowned 19th-century British organ craftsman Henry Willis.

CAVAILLÉ-COLL/French Romantic

Progenitor and master of the 19th-century French style with fiery and dominant reeds; symphonic tonal schemes.

SCHLICKER/Neo-Baroque

Neo-Baroque scalings by The Schlicker Organ Company; 20th-century revival of 17th-century North German ideals.

ARP SCHNITGER

Master German builder who brought the bright, incisive Werkprinzip style to its zenith.

AEOLIAN-SKINNER

Under the tonal direction of G. Donald Harrison, this company developed the American Classic tonal design, characterized by firm and articulate principals, bright mixtures and French-style reeds. Its versatility enables the American Classic to authentically perform a broad range of musical styles.

WURLITZER

"The Mighty Wurlitzer" was perhaps the "gold standard" of theatre organs during the silent movie era.

BARTON

Barton was mainly known in the Midwest area in the United States. Their most famous instrument was the theatre organ installed in the Chicago Stadium. Bartons were known for their "aggressive" voicing style.

MORTON

Morton theatre organs "evolved" over the course of the silent movie era. Our digital samples are from a late 1920s organ that used higher wind pressures than the typical theatre organ and was known as one of Morton's "jazzier" instruments.

HISTORIQUE IIG STOP LIST

Standard stop lists: Classic Allen, English, Cavaillé-Coll, Schlicker, Arp Schnitger, Aeolian-Skinner, Wurlitzer, Barton, Morton

PEDAL
16 BOURDON
16 LIEBLICH GEDACKT (SW)
8 OCTAVE
8 GEDACKTFLÖTE
4 CHORAL BASS
MIXTURE IV
16 POSAUNE
4 CLARION
GENISYS VOICE 1 (OPTIONAL)
GENISYS VOICE 2 (OPTIONAL)
GREAT TO PEDAL
SWELL TO PEDAL

SWELL
8 GEDACKT
8 SALICIONAL
8 VOIX CELESTE
4 PRINCIPAL
4 TRAVERS-FLÖTE
2-2/3 NASAT
2 BLOCKFLÖTE
1-3/5 TIERCE
MIXTURE IV
16 BASSON
8 TROMPETTE
GENISYS VOICE 3 (OPTIONAL)
GENISYS VOICE 4 (OPTIONAL)
TREMULANT

GREAT
16 LIEBLICH GEDACKT (SW)
8 PRINCIPAL
8 HARMONIC FLUTE
8 FLUTE CELESTE II
4 OCTAVE
4 SPITZFLÖTE
2 SUPER OCTAVE
MIXTURE IV
8 KRUMMHORN
GENISYS VOICE 5 (OPTIONAL)
GENISYS VOICE 6 (OPTIONAL)
TREMULANT
SWELL TO GREAT
BASS COUPLER
ALTERNATE TUNING
GT-PD UNENCLOSED
GENISYS VOICES COUPLE

MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON GREAT

From the multiple stop list versatility to the distinct sounds available in all ALLEN organs, each stop list is independently voiced with its own audio settings.

CLASSIC ALLEN

The "signature" specification that made Allen the world's favorite organ! Allen tonal directors created the specifications of Allen digital organs by selecting their favorite samples from fine pipe organs throughout the world.

ENGLISH (mainly Willis samples)

Characterized by Diapasons and weighty reeds, this style of organ building was brought to its height by renowned 19th-century British organ craftsman Henry Willis.

CAVAILLÉ-COLL/French Romantic

Progenitor and master of the 19th-century French style with fiery and dominant reeds; symphonic tonal schemes.

SCHLICKER/Neo-Baroque

Neo-Baroque scalings by The Schlicker Organ Company; 20th-century revival of 17th-century North German ideals.

ARP SCHNITGER

Master German builder who brought the bright, incisive Werkprinzip style to its zenith.

AEOLIAN-SKINNER

Under the tonal direction of G. Donald Harrison, this company developed the American Classic tonal design, characterized by firm and articulate principals, bright mixtures and French-style reeds. Its versatility enables the American Classic to authentically perform a broad range of musical styles.

WURLITZER

"The Mighty Wurlitzer" was perhaps the "gold standard" of theatre organs during the silent movie era.

BARTON

Barton was mainly known in the Midwest area in the United States. Their most famous instrument was the theatre organ installed in the Chicago Stadium. Bartons were known for their "aggressive" voicing style.

MORTON

Morton theatre organs "evolved" over the course of the silent movie era. Our digital samples are from a late 1920s organ that used higher wind pressures than the typical theatre organ and was known as one of Morton's "jazzier" instruments.

DELUXE CONTROLS

Allen designs and builds its own controls to provide the highest quality at affordable prices. From state-of-the-art Lumitech™ stops with advanced LED's to moving drawknobs, every control choice reflects Allen's uncompromising standards that ensure years of maintenance-free service.

The HISTORIQUE IIG, 28 Stop, Two-manual organ is equipped with Allen's efficient LED stop controls.

DELUXE CONTROLS

Allen designs and builds its own controls to provide the highest quality at affordable prices. From state-of-the-art Lumitech™ stops with advanced LED's to moving drawknobs, every control choice reflects Allen's uncompromising standards that ensure years of maintenance-free service.

The HISTORIQUE Ia, 24 Stop, Two-manual organ is equipped with Allen's efficient LED stop controls.

Today, a touch screen is a requirement of any advanced product.

Explore GENISYS™ Display

YOU CHOOSE

STANDARD KEYBOARDS

The standard keyboards supplied with Allen studio and practice instruments allow Allen to provide instruments with Allen console features, quality, and sound at affordable prices.

PREMIUM KEYBOARDS

The exclusive Allen Premium keyboard is designed to allow the musician to feel the music. These keyboards are built with a level of quality that is the envy of the industry. Each key stick is constructed of wood, felted pivot points and can be individually adjusted to keep them consistent over the long-haul. (optional)

HISTORIQUE customers can choose from two different compact pedalboards: a standard 32-Note Compact Radiating Pedalboard, or the optional 32-Note Parallel Pedalboard. Watch the Pedalboard Comparison video to see which one is right for you!

PEDALBOARD COMPARISON

PLAY VIDEO

ALLEN EXPRESSION / CRESCENDO PEDALS

While plastic or wood expression pedals can be found on some church organs, they do not meet Allen's demanding quality standards. Cast Aluminum expression shoes are built to last a lifetime!

EXPRESSION SHOE CAGE

Sturdy metal construction fully protects the organ's interior against damage from pests entering the organ console. Just another example of Allen's dedication to quality and our customers.

STANDARD KEYBOARDS

The standard keyboards supplied with Allen studio and practice instruments allow Allen to provide instruments with Allen console features, quality, and sound at affordable prices.

PEDALBOARD COMPARISON

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HISTORIQUE customers can choose from two different compact pedalboards: a standard 32-Note Compact Radiating Pedalboard, or the optional 32-Note Parallel Pedalboard. Watch the Pedalboard Comparison video to see which one is right for you!

HISTORIQUE Ia STOP LIST

Standard stop lists: Classic Allen, English, French, Baroque, Wurlitzer

PEDAL
16 BOURDON
16 LIEBLICH GEDACKT (SW)
8 OCTAVE
8 GEDACKTFLÖTE
4 CHORAL BASS
16 POSAUNE
4 CLARION
GREAT TO PEDAL
SWELL TO PEDAL

SWELL
8 GEDACKT
8 SALICIONAL
8 VOIX CELESTE
4 PRINCIPAL
4 KOPPELFLÖTE
2-2/3 NASAT
2 BLOCKFLÖTE
1-3/5 TIERCE
MIXTURE IV
8 TROMPETTE
TREMULANT

GREAT
8 PRINCIPAL
8 HARMONIC FLUTE
4 OCTAVE
4 SPITZFLÖTE
2 SUPER OCTAVE
MIXTURE IV
8 KRUMMHORN
TREMULANT
SWELL TO GREAT

MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON GREAT

From the multiple stop list versatility to the distinct sounds available in all ALLEN organs, each stop list is independently voiced with its own audio settings.

CLASSIC ALLEN

The "signature" specification that made Allen the world's favorite organ! Allen tonal directors created the specifications of Allen digital organs by selecting their favorite samples from fine pipe organs throughout the world.

ENGLISH (mainly Willis samples)

Characterized by Diapasons and weighty reeds, this style of organ building was brought to its height by renowned 19th-century British organ craftsman Henry Willis.

FRENCH

19th-century French style with fiery and dominant reeds; symphonic tonal schemes.

BAROQUE

20th-century revival of 17th-century North German ideals.

WURLITZER

"The Mighty Wurlitzer" was perhaps the "gold standard" of theatre organs during the silent movie era.

ALLEN CONSOLE CONTROLLER™

With multiple tunings and other advanced console features!

DELUXE CONTROLS

Allen designs and builds its own controls to provide the highest quality at affordable prices. From state-of-the-art Lumitech™ stops with advanced LED's to moving drawknobs, every control choice reflects Allen's uncompromising standards that ensure years of maintenance-free service.

The R-10, 28 Stop, Two-manual organ is equipped with Allen's efficient LED stop controls.

R-10 STOP LIST

Standard stop lists: Classic Allen, English, French, Baroque, Wurlitzer

PEDAL
16 BOURDON
16 LIEBLICH GEDACKT (SW)
8 OCTAVE
8 FLÛTE
4 CHORAL BASS (GT)
16 POSAUNE
4 CLAIRON
GREAT TO PEDAL
SWELL TO PEDAL

SWELL
8 GEDACKT
8 VIOLA POMPOSA
8 VIOLA CELESTE
4 OCTAVE GEIGEN
4 TRAVERSE FLUTE
2-2/3 NASARD
2 PICCOLO
1-3/5 TIERCE
FOURNITURE IV
16 BASSON
8 TROMPETTE
TREMULANT

GREAT
16 LIEBLICH GEDACKT (SW)
8 DIAPASON
8 HARMONIC FLUTE
8 FLUTE CELESTE II
4 OCTAVE
4 SPITZFLÖTE
2 FIFTEENTH
MIXTURE IV
8 KRUMMHORN
CHIMES
TREMULANT
SWELL TO GREAT

GENERAL
ALTERNATE TUNING
BASS COUPLER
MELODY COUPLER
TREMULANTS FULL

MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON GREAT

From the multiple stop list versatility to the distinct sounds available in all ALLEN organs, each stop list is independently voiced with its own audio settings.

CLASSIC ALLEN

The "signature" specification that made Allen the world's favorite organ! Allen tonal directors created the specifications of Allen digital organs by selecting their favorite samples from fine pipe organs throughout the world.

ENGLISH (mainly Willis samples)

Characterized by Diapasons and weighty reeds, this style of organ building was brought to its height by renowned 19th-century British organ craftsman Henry Willis.

FRENCH

19th-century French style with fiery and dominant reeds; symphonic tonal schemes.

BAROQUE

20th-century revival of 17th-century North German ideals.

WURLITZER

"The Mighty Wurlitzer" was perhaps the "gold standard" of theatre organs during the silent movie era.

REALISTIC PIPE ORGAN SOUND

A digital church organ is a unique product utilizing modern technology to reproduce an art form whose heritage comes from pipe organs.

Superior sound comes from a combination of greater experience sampling pipe organs and advanced sound-producing technology. Experience matters! Allen introduced the world's first digitally sampled organ in 1971, nearly two decades prior to its nearest competitor. Allen's current GENISYS™ technology includes up to 48 advanced DSP's (Digital Signal Processors) working in parallel; supercomputer power for superior sound production. And Allen organs can be voiced to perfection to any school of organ design!

HEARING IS BELIEVING

Today, the preference for Allen sound extends even beyond the realm of digital organ customers to pipe organ owners. Notably, Allen is chosen as the organ builder of choice to add digital voices and advanced consoles to hundreds of pipe organs throughout the world, including prestigious European installations. With unmatched tonal quality and sophisticated technology, Allen is pleased to help preserve and advance an important art form. It's why we exist.

 

ALLEN EXPRESSION / CRESCENDO PEDALS

While plastic or wood expression pedals can be found on some church organs, they do not meet Allen's demanding quality standards. Cast Aluminum expression shoes are built to last a lifetime!

EXPRESSION SHOE CAGE

Sturdy metal construction fully protects the organ's interior against damage from pests entering the organ console. Just another example of Allen's dedication to quality and our customers.

G100 STOP LIST

Standard stop lists: Classic Allen, English, Cavaillé-Coll, Schlicker, Arp Schnitger, Aeolian-Skinner, Wurlitzer, Barton, Morton

PEDAL
16 BOURDON
16 LIEBLICH BOURDON (SW)
8 OCTAVE
8 FLUTE
4 SUPER OCTAVE (GT)
MIXTURE IV
16 BOMBARDE
4 CLARION
GENISYS VOICE 1 (OPTIONAL)
GENISYS VOICE 2 (OPTIONAL)
GREAT TO PEDAL
SWELL TO PEDAL

SWELL
8 GEDACKT
8 VIOLE
8 VOIX CELESTE
4 OCTAVE GEIGEN
4 TRAVERSE FLUTE
2-2/3 NASARD
2 PICCOLO
1-3/5 TIERCE
PLEIN JEU IV
16 BASSON
8 TROMPETTE
TREMULANT
GENISYS VOICE 3 (OPTIONAL)
GENISYS VOICE 4 (OPTIONAL)

GREAT
16 LIEBLICH GEDACKT (SW)
8 PRINCIPAL
8 HARMONIC FLUTE
8 FLUTE CELESTE II (SW)
4 OCTAVE
4 FLUTE
2 FIFTEENTH
MIXTURE IV
8 KRUMMHORN
TREMULANT
CHIMES
GENISYS VOICE 5 (OPTIONAL)
GENISYS VOICE 6 (OPTIONAL)
SWELL TO GREAT

GENERAL
BASS COUPLER
MELODY COUPLER
ALTERNATE TUNING
TREMULANTS FULL
GENISYS VOICES COUPLE

MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON GREAT

From the multiple stop list versatility to the distinct sounds available in all ALLEN organs, each stop list is independently voiced with its own audio settings.

CLASSIC ALLEN

The "signature" specification that made Allen the world's favorite organ! Allen tonal directors created the specifications of Allen digital organs by selecting their favorite samples from fine pipe organs throughout the world.

ENGLISH (mainly Willis samples)

Characterized by Diapasons and weighty reeds, this style of organ building was brought to its height by renowned 19th-century British organ craftsman Henry Willis.

CAVAILLÉ-COLL/French Romantic

Progenitor and master of the 19th-century French style with fiery and dominant reeds; symphonic tonal schemes.

SCHLICKER/Neo-Baroque

Neo-Baroque scalings by The Schlicker Organ Company; 20th-century revival of 17th-century North German ideals.

ARP SCHNITGER

Master German builder who brought the bright, incisive Werkprinzip style to its zenith.

AEOLIAN-SKINNER

Under the tonal direction of G. Donald Harrison, this company developed the American Classic tonal design, characterized by firm and articulate principals, bright mixtures and French-style reeds. Its versatility enables the American Classic to authentically perform a broad range of musical styles.

WURLITZER

"The Mighty Wurlitzer" was perhaps the "gold standard" of theatre organs during the silent movie era.

BARTON

Barton was mainly known in the Midwest area in the United States. Their most famous instrument was the theatre organ installed in the Chicago Stadium. Bartons were known for their "aggressive" voicing style.

MORTON

Morton theatre organs "evolved" over the course of the silent movie era. Our digital samples are from a late 1920s organ that used higher wind pressures than the typical theatre organ and was known as one of Morton's "jazzier" instruments.

GX-215a STOP LIST

Standard stop lists: Classic Allen, English, Cavaillé-Coll, Schlicker, Arp Schnitger, Aeolian-Skinner, Wurlitzer, Barton, Morton

PEDAL
32 CONTRA VIOLONE
16 PRINCIPAL
16 BOURDON
16 LIEBLICH BOURDON (SW)
8 OCTAVE
8 FLUTE
4 SUPER OCTAVE
MIXTURE IV
16 BOMBARDE
4 CLARION
GENISYS VOICE 1 (OPTIONAL)
GENISYS VOICE 2 (OPTIONAL)
GREAT TO PEDAL
SWELL TO PEDAL

SWELL
8 ROHR BOURDON
8 VIOLE
8 VOIX CELESTE
4 GEIGEN OCTAVE
4 TRAVERSE FLUTE
2-2/3 NASARD
2 PICCOLO
1-3/5 TIERCE
PLEIN JEU IV
16 BASSON
8 TROMPETTE
8 HAUTBOIS
TREMULANT
CELESTA
SWELL UNISON OFF
GENISYS VOICE 3 (OPTIONAL)
GENISYS VOICE 4 (OPTIONAL)

GREAT
16 VIOLONE
8 PRINCIPAL
8 HARMONIC FLUTE
8 FLUTE DOLCE CELESTE II (SW)
4 OCTAVE
4 FLUTE
2 FIFTEENTH
MIXTURE IV
8 TRUMPET
8 KRUMMHORN
TREMULANT
CHIMES
GENISYS VOICE 5 (OPTIONAL)
GENISYS VOICE 6 (OPTIONAL)
SWELL TO GREAT

GENERAL
BASS COUPLER
MELODY COUPLER
ALTERNATE TUNING
TREMULANTS FULL
GENISYS VOICES COUPLE
EXTERNAL SPEAKERS OFF
CONSOLE SPEAKERS OFF

MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON GREAT

From the multiple stop list versatility to the distinct sounds available in all ALLEN organs, each stop list is independently voiced with its own audio settings.

CLASSIC ALLEN

The "signature" specification that made Allen the world's favorite organ! Allen tonal directors created the specifications of Allen digital organs by selecting their favorite samples from fine pipe organs throughout the world.

ENGLISH (mainly Willis samples)

Characterized by Diapasons and weighty reeds, this style of organ building was brought to its height by renowned 19th-century British organ craftsman Henry Willis.

CAVAILLÉ-COLL/French Romantic

Progenitor and master of the 19th-century French style with fiery and dominant reeds; symphonic tonal schemes.

SCHLICKER/Neo-Baroque

Neo-Baroque scalings by The Schlicker Organ Company; 20th-century revival of 17th-century North German ideals.

ARP SCHNITGER

Master German builder who brought the bright, incisive Werkprinzip style to its zenith.

AEOLIAN-SKINNER

Under the tonal direction of G. Donald Harrison, this company developed the American Classic tonal design, characterized by firm and articulate principals, bright mixtures and French-style reeds. Its versatility enables the American Classic to authentically perform a broad range of musical styles.

WURLITZER

"The Mighty Wurlitzer" was perhaps the "gold standard" of theatre organs during the silent movie era.

BARTON

Barton was mainly known in the Midwest area in the United States. Their most famous instrument was the theatre organ installed in the Chicago Stadium. Bartons were known for their "aggressive" voicing style.

MORTON

Morton theatre organs "evolved" over the course of the silent movie era. Our digital samples are from a late 1920s organ that used higher wind pressures than the typical theatre organ and was known as one of Morton's "jazzier" instruments.

GX-236 STOP LIST

Standard stop lists: Classic Allen, English, Cavaillé-Coll, Schlicker, Arp Schnitger, Aeolian-Skinner, Wurlitzer, Barton, Morton

PEDAL
32 CONTRA VIOLONE
16 DIAPASON
16 BOURDON
16 BOURDON DOUX (SW)
16 VIOLONE
8 OCTAVE
8 GEDACKT
4 CHORAL BASS
MIXTURE IV
16 BOMBARDE
8 TROMPETTE
4 CLARION
GENISYS VOICE 1 (OPTIONAL)
GENISYS VOICE 2 (OPTIONAL)

SWELL
8 GEIGEN DIAPASON
8 ROHR BOURDON
8 SALICIONAL
8 VOIX CELESTE
4 PRESTANT
4 FLÛTE
2-2/3 NASARD
2 OCTAVIN
1-3/5 TIERCE
PLEIN-JEU IV
16 BASSON
8 FESTIVAL TRUMPET (NC)
8 TROMPETTE
8 HAUTBOIS
TREMULANT
CELESTA
UNISON OFF
GENISYS VOICE 3 (OPTIONAL)
GENISYS VOICE 4 (OPTIONAL)

GREAT
16 VIOLONE
8 DIAPASON
8 GEMSHORN
8 HARMONIC FLUTE
8 FLUTE DOLCE CELESTE II
4 OCTAVE
4 SPIRE FLUTE
2 FIFTEENTH
MIXTURE IV
CYMBALE III
9 FESTIVAL TRUMPET (NC)
8 TROMBA
8 KRUMMHORN
TREMULANT
CELESTA (SW)
CHIMES
GENISYS VOICE 5 (OPTIONAL)
GENISYS VOICE 6 (OPTIONAL)

COUPLERS
8 GREAT TO PEDAL
8 SWELL TO PEDAL
8 SWELL TO GREAT
MELODY COUPLER
BASS COUPLER
GENISYS VOICES COUPLE

GENERAL
ALTERNATE TUNING
TREMULANTS FULL

ANTIPHONAL
SWELL MAINS OFF
SWELL TO ANTIPHONAL
GT-PD MAINS OFF
GT-PD TO ANTIPHONAL

MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON GREA

From the multiple stop list versatility to the distinct sounds available in all ALLEN organs, each stop list is independently voiced with its own audio settings.

CLASSIC ALLEN

The "signature" specification that made Allen the world's favorite organ! Allen tonal directors created the specifications of Allen digital organs by selecting their favorite samples from fine pipe organs throughout the world.

ENGLISH (mainly Willis samples)

Characterized by Diapasons and weighty reeds, this style of organ building was brought to its height by renowned 19th-century British organ craftsman Henry Willis.

CAVAILLÉ-COLL/French Romantic

Progenitor and master of the 19th-century French style with fiery and dominant reeds; symphonic tonal schemes.

SCHLICKER/Neo-Baroque

Neo-Baroque scalings by The Schlicker Organ Company; 20th-century revival of 17th-century North German ideals.

ARP SCHNITGER

Master German builder who brought the bright, incisive Werkprinzip style to its zenith.

AEOLIAN-SKINNER

Under the tonal direction of G. Donald Harrison, this company developed the American Classic tonal design, characterized by firm and articulate principals, bright mixtures and French-style reeds. Its versatility enables the American Classic to authentically perform a broad range of musical styles.

WURLITZER

"The Mighty Wurlitzer" was perhaps the "gold standard" of theatre organs during the silent movie era.

BARTON

Barton was mainly known in the Midwest area in the United States. Their most famous instrument was the theatre organ installed in the Chicago Stadium. Bartons were known for their "aggressive" voicing style.

MORTON

Morton theatre organs "evolved" over the course of the silent movie era. Our digital samples are from a late 1920s organ that used higher wind pressures than the typical theatre organ and was known as one of Morton's "jazzier" instruments.

GX-342 STOP LIST

Standard stop lists: Classic Allen, English, Cavaillé-Coll, Schlicker, Arp Schnitger, Aeolian-Skinner, Wurlitzer, Barton, Morton

PEDAL
32 CONTRA VIOLONE
16 DIAPASON
16 BOURDON
16 BOURDON DOUX (SW)
16 ERZÄHLER (CH)
8 OCTAVE
8 GEDACKT
4 CHORAL BASS
MIXTURE IV
32 CONTRE BOMBARDE
16 BOMBARDE
16 BASSON (SW)
8 TROMPETTE
4 CLARION
GENISYS VOICE 1 (OPTIONAL)
GENISYS VOICE 2 (OPTIONAL)

SWELL
16 BOURDON DOUX
8 GEIGEN DIAPASON
8 ROHR BOURDON
8 SALICIONAL
8 VOIX CELESTE
4 PRESTANT
4 FLÛTE
2-2/3 NASARD
2 OCTAVIN
1-3/5 TIERCE
PLEIN JEU IV
16 BASSON
8 TROMPETTE
8 HAUTBOIS
8 VOX HUMANA
4 CLAIRON
TREMULANT
UNISON OFF
GENISYS VOICE 3 (OPTIONAL)
GENISYS VOICE 4 (OPTIONAL)

GREAT
16 BOURDON DOUX (SW)
8 DIAPASON
8 HARMONIC FLUTE
8 FLUTE CELESTE II
8 VIOLE
4 OCTAVE
4 SPIRE FLUTE
2 FIFTEENTH
MIXTURE IV
8 TROMPETE
TREMULANT
CHIMES
GT-PD UNENCLOSED
GENISYS VOICE 5 (OPTIONAL)
GENISYS VOICE 6 (OPTIONAL)

CHOIR
16 ERZÄHLER
8 PRINCIPAL
8 HOLZ GEDACKT
8 ERZÄHLER
8 ERZÄHLER CELESTE
4 OCTAVE
4 KOPPELFLÖTE
2 SUPER OCTAVE
1-1/3 QUINTFLÖTE
MIXTURE III
8 FESTIVAL TRUMPET
8 KRUMMHORN
TREMULANT
UNISON OFF
GT-CH MANUAL TRANSFER
CHOIR EXPRESS W/SWELL
GENISYS VOICE 7 (OPTIONAL)
GENISYS VOICE 8 (OPTIONAL)

COUPLERS
8 GREAT TO PEDAL
8 SWELL TO PEDAL
8 CHOIR TO PEDAL
8 SWELL TO GREAT
8 CHOIR TO GREAT
8 SWELL TO CHOIR
MELODY COUPLER CH>GT
BASS COUPLER
GENISYS VOICES COUPLE

GENERAL
ALTERNATE TUNING
TREMULANTS FULL

ANTIPHONAL
SWELL MAINS OFF
SWELL TO ANTIPHONAL
GT-CH-PD MAINS OFF
GT-CH-PD TO ANTIPHONAL

MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON GREAT
MIDI ON CHOIR

From the multiple stop list versatility to the distinct sounds available in all ALLEN organs, each stop list is independently voiced with its own audio settings.

CLASSIC ALLEN

The "signature" specification that made Allen the world's favorite organ! Allen tonal directors created the specifications of Allen digital organs by selecting their favorite samples from fine pipe organs throughout the world.

ENGLISH (mainly Willis samples)

Characterized by Diapasons and weighty reeds, this style of organ building was brought to its height by renowned 19th-century British organ craftsman Henry Willis.

CAVAILLÉ-COLL/French Romantic

Progenitor and master of the 19th-century French style with fiery and dominant reeds; symphonic tonal schemes.

SCHLICKER/Neo-Baroque

Neo-Baroque scalings by The Schlicker Organ Company; 20th-century revival of 17th-century North German ideals.

ARP SCHNITGER

Master German builder who brought the bright, incisive Werkprinzip style to its zenith.

AEOLIAN-SKINNER

Under the tonal direction of G. Donald Harrison, this company developed the American Classic tonal design, characterized by firm and articulate principals, bright mixtures and French-style reeds. Its versatility enables the American Classic to authentically perform a broad range of musical styles.

WURLITZER

"The Mighty Wurlitzer" was perhaps the "gold standard" of theatre organs during the silent movie era.

BARTON

Barton was mainly known in the Midwest area in the United States. Their most famous instrument was the theatre organ installed in the Chicago Stadium. Bartons were known for their "aggressive" voicing style.

MORTON

Morton theatre organs "evolved" over the course of the silent movie era. Our digital samples are from a late 1920s organ that used higher wind pressures than the typical theatre organ and was known as one of Morton's "jazzier" instruments.

GX-336 STOP LIST

Standard stop lists: Classic Allen, English, Cavaillé-Coll, Schlicker, Arp Schnitger, Aeolian-Skinner, Wurlitzer, Barton, Morton

PEDAL
32 CONTRA VIOLONE
16 DIAPASON
16 BOURDON
16 BOURDON DOUX (SW)
16 VIOLONE
8 OCTAVE
8 GEDACKT
4 CHORAL BASS
MIXTURE IV
16 BOMBARDE
8 TROMPETTE
4 CLARION
GENISYS VOICE 1 (OPTIONAL)
GENISYS VOICE 2 (OPTIONAL)

SWELL
8 GEIGEN DIAPASON
8 ROHR BOURDON
8 SALICIONAL
8 VOIX CELESTE
4 PRESTANT
4 FLÛTE
2-2/3 NASARD
2 OCTAVIN
1-3/5 TIERCE
PLEIN-JEU IV
16 BASSON
8 TROMPETTE
8 HAUTBOIS
TREMULANT
GENISYS VOICE 3 (OPTIONAL)
GENISYS VOICE 4 (OPTIONAL)

GREAT
16 VIOLONE
8 DIAPASON
8 GEMSHORN
8 HARMONIC FLUTE
8 FLUTE CELESTE II
4 OCTAVE
4 SPIRE FLUTE
2 FIFTEENTH
MIXTURE IV
8 TRUMPET
CHIMES
TREMULANT
GENISYS VOICE 5 (OPTIONAL)
GENISYS VOICE 6 (OPTIONAL)

CHOIR
8 PRINCIPAL
8 COR DE NUIT
4 OCTAVE
4 NACHTHORN
2 BLOCKFLÖTE
1-1/3 LARIGOT
CYMBEL III
8 CLARINET
TREMULANT
CHOIR UNENCLOSED
GT-CH MANUAL TRANSFER
GENISYS VOICE 7 (OPTIONAL)
GENISYS VOICE 8 (OPTIONAL)

COUPLERS
8 GREAT TO PEDAL
8 SWELL TO PEDAL
8 CHOIR TO PEDAL
8 SWELL TO GREAT
8 CHOIR TO GREAT
8 SWELL TO CHOIR
MELODY COUPLER CH>GT
BASS COUPLER
GENISYS VOICES COUPLE

GENERAL
ALTERNATE TUNING
TREMULANTS FULL

ANTIPHONAL
MAIN ORGAN OFF
ANTIPHONAL ORGAN ON

MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON GREAT
MIDI ON CHOIR

From the multiple stop list versatility to the distinct sounds available in all ALLEN organs, each stop list is independently voiced with its own audio settings.

CLASSIC ALLEN

The "signature" specification that made Allen the world's favorite organ! Allen tonal directors created the specifications of Allen digital organs by selecting their favorite samples from fine pipe organs throughout the world.

ENGLISH (mainly Willis samples)

Characterized by Diapasons and weighty reeds, this style of organ building was brought to its height by renowned 19th-century British organ craftsman Henry Willis.

CAVAILLÉ-COLL/French Romantic

Progenitor and master of the 19th-century French style with fiery and dominant reeds; symphonic tonal schemes.

SCHLICKER/Neo-Baroque

Neo-Baroque scalings by The Schlicker Organ Company; 20th-century revival of 17th-century North German ideals.

ARP SCHNITGER

Master German builder who brought the bright, incisive Werkprinzip style to its zenith.

AEOLIAN-SKINNER

Under the tonal direction of G. Donald Harrison, this company developed the American Classic tonal design, characterized by firm and articulate principals, bright mixtures and French-style reeds. Its versatility enables the American Classic to authentically perform a broad range of musical styles.

WURLITZER

"The Mighty Wurlitzer" was perhaps the "gold standard" of theatre organs during the silent movie era.

BARTON

Barton was mainly known in the Midwest area in the United States. Their most famous instrument was the theatre organ installed in the Chicago Stadium. Bartons were known for their "aggressive" voicing style.

MORTON

Morton theatre organs "evolved" over the course of the silent movie era. Our digital samples are from a late 1920s organ that used higher wind pressures than the typical theatre organ and was known as one of Morton's "jazzier" instruments.

ALLEN ORGAN COMPANY - THE ACKNOWLEDGED INDUSTRY LEADER

 

1939

Allen sells world's first electronic organ, receiving Stable Audio Oscillator patent.

1946

Allen sells world's first three-manual pipeless organ.

1954

World's first four-manual electronic organ built by Allen.

1970

Allen introduces computer capture action.

1971

Allen introduces the Digital Computer Organ (sampling) predating other builders' digital organs by 20 years. First Allen Digital Computer Organ resides in the Smithsonian Institution. Allen has since created the largest library of digitally sampled pipes.

1978

Allen introduces its second-generation MOS-2 organs with EPROM organ technology enabling stored stop sounds to be changed.

1983

Allen introduces ADC™ organs, its third generation digital technology with substantially more sound memory and musical versatility.

1989

Fourth generation MDS™ organs introduced with full MIDI capabilities.

1991

Allen granted additional sampling patents by US Patent & Trademark Office.

1994

Allen introduces advanced and ultra-efficient LED stop controls called LUMITECH™.

1995

Allen introduces OPTICAL SENSOR TECHNOLOGY™ (OST) providing Allen's ultra-reliability in a velocity sensitive keyboard.

1997

RENAISSANCE™, Allen's fifth generation digital technology introduced. "Firsts" include field-programmable stops, Flash memory (SoundMatrix™) and Active Pipe Response™.

1999

Allen granted patent by US Patent & Trademark Office for RENAISSANCE™ Technology.

2004

Allen introduces QUANTUM™, Allen's sixth generation digital organ with multiple stop lists, and ACOUSTIC PORTRAIT™ convolution reverb. 14 years later most digital organs continue to include outdated digital reverberation technology.

2005

Allen introduces Real Xpression™ technology. This exclusive feature enables Allen Organs' expression shoes to interact with the organ sounds and react the same way as a pipe organ would with Swell shades.

2009

Multi-Point Audio™ introduced. Without the constraints of mono or stereo-based systems, Multi-Point Audio offers an unrivaled clarity of sound.

2015

Allen introduces GENISYS™, its seventh generation digital technology with an advanced software-based control system offering greater control efficiency and long-term sustainability.

2016

Allen introduces GENISYS™ Voices, increasing the organ's versatility with the addition of dozens of added high-definition sounds combined with the ease of traditional stops.

2017

Allen introduces GENISYS™ Display, the organ world's first full-color touchscreen offering ease-of-use and the most technologically advanced console interface control system. Organs without this type of advanced display and control are outdated, akin to a smart phone without a color touchscreen.

2021

Allen introduces GENISYS™ Organs with APEX™ Technology featuring 250 times the memory of previous organs, premium 32-bit DAC's, multiple 64-bit quad core processors and gigabit Ethernet

 
 
 
 
 
 

ALLEN ORGAN - RELIABLE SERVICE

Allen dependability is legendary. Backed by a ten-year parts warranty, Allen Organs require no periodic maintenance or tuning. In the unlikely event that an Allen requires service, it is performed by factory-trained Allen technicians. Allen representatives keep a supply of spare parts on hand for service needs. The modular design found in our organs, ensures quick and easy service, without the necessity for on-site soldering.

UNPARALLELED SUPPORT

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CUSTOMER SERVICE

The relationship between Allen and its customers doesn't end when an instrument is installed. Allen's commitment to customer satisfaction continues long after an organ is installed.

ALLEN'S CONSTRUCTION QUALITY

Using select woods and veneers, Allen craftsmen blend modern and traditional woodworking techniques to assure precision shaping and hand-crafted console assembly. No "knock-down" quality in an Allen Organ.

OUR ORGAN INTERIOR

Allen is the only digital church organ builder to fully finish the interior wood of the console to protect it during its many years of use. All key electronic components are housed within a protective metal chassis to guard against electrical shocks, another Allen exclusive.

ALLEN EXPRESSION / CRESCENDO PEDALS

While plastic or wood expression pedals can be found on some church organs, they do not meet Allen's demanding quality standards. Cast Aluminum expression shoes are built to last a lifetime!

EXPRESSION SHOE CAGE

Sturdy metal construction fully protects the organ's interior against damage from pests entering the organ console. Just another example of Allen's dedication to quality and our customers.

Today, a touch screen is a requirement of any advanced product.

Explore GENISYS™ Display

"Simplicity is the ultimate sophisticaton."

Leonardo da Vinci

ThIs model can be customized to suit your personal and church organ requirements. Just ask!

DELUXE CONTROLS

ALLEN DRAWKNOBS

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Allen designs and builds its own controls to provide the highest quality at affordable prices. From state-of-the-art Lumitech™ stops with advanced LED's to moving drawknobs, every control choice reflects Allen's uncompromising standards that ensure years of maintenance-free service.

YOU CHOOSE

STANDARD KEYBOARDS

The standard keyboards supplied with Allen church organs allow Allen to provide instruments with Allen console features, quality, and sound at affordable prices.

PREMIUM KEYBOARDS

The exclusive Allen Premium keyboard is designed to allow the musician to feel the music. These keyboards are built with a level of quality that is the envy of the industry. Each key stick is constructed of wood, felted pivot points and can be individually adjusted to keep them consistent over the long-haul. (optional)

ALLEN KEYBOARDS

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The Allen keyboard utilizes sealed contacts and wood keysticks to provide the ultimate in touch and control. The level of quality and adjustability of Allen keyboards makes them the envy of the industry and the choice of discerning musicians.

KEY CONTACT

The key contact, while unseen, is an important part of any church organ. If one fails during a performance, the entire musical program can be compromised. Allen introduced a maintenance-free system in which a sealed reed switch is engaged by magnet. Neither dust nor the environment will compromise your music program with an Allen Organ.

THE ANTIDOTE FOR ACOUSTIC COMPROMISE

Dry, crisp acoustics designed to make spoken words easy to understand can make music sound brittle and uninteresting. Organ sound, especially, comes alive in more resonant spaces. Most organs include obsolete digital reverb, to artificially imitate acoustics. But not Allen. Allen's revolutionary Acoustic Portrait™ produces the "real thing"!

Based on a remarkable technology called convolution, Acoustic Portrait realistically recreates the "sonic fingerprint" of actual rooms ranging from small churches to large, famous cathedrals. Don't let the acoustics of your room stand between you and beautiful music-making. Acoustic Portrait will add the dimension you've been missing.

The World's Finest Sampled Reverb!

GX-350a STOP LIST

Standard stop lists: Classic Allen, English, Cavaillé-Coll, Schlicker, Arp Schnitger, Aeolian-Skinner

PEDAL
32 CONTRA VIOLONE
16 DIAPASON
16 BOURDON
16 BOURDON DOUX (SW)
16 VIOLONE (GT)
8 OCTAVE
8 GEDACKT FLÖTE
4 CHORAL BASS
4 FLUTE
MIXTURE IV
32 CONTRE BOMBARDE
16 BOMBARDE
16 CONTRE TROMPETTE (SW)
8 TRUMPET
4 CLARION
GENISYS VOICE 1 (OPTIONAL)
GENISYS VOICE 2 (OPTIONAL)

SWELL
8 GEIGEN DIAPASON
8 ROHR BOURDON
8 FLUTE CELESTE II
8 VIOLA POMPOSA
8 VIOLA CELESTE
4 OCTAVE GEIGEN
4 TRAVERSE FLUTE
2-2/3 NASARD [4 ORCH. FLUTE]
2 PICCOLO [8 CLARINET]
1-3/5 TIERCE [8 FRENCH HORN]
FOURNITURE IV
16 CONTRE TROMPETTE
8 TROMPETTE
8 OBOE
8 VOX HUMANA [COR ANGLAIS]
4 CLAIRON
CELESTA
16 SWELL
UNISON OFF
4 SWELL
TREMULANT
SWELL SOLO VOICES ON
GENISYS VOICE 3 (OPTIONAL)
GENISYS VOICE 4 (OPTIONAL)

GREAT
16 VIOLONE
8 DIAPASON
8 HARMONIC FLUTE
8 BOURDON
8 GAMBA
4 OCTAVE
4 FLUTE
2-2/3 TWELFTH
2 FIFTEENTH
MIXTURE IV
CYMBALE III
8 TROMBA
CHIMES
TREMULANT
GT-PD UNENCLOSED
GENISYS VOICE 5 (OPTIONAL)
GENISYS VOICE 6 (OPTIONAL)

CHOIR
16 ERZÄHLER
8 PRINCIPAL
8 HOLZ GEDACKT
8 ERZÄHLER
8 ERZÄHLER CELESTE
4 OCTAVE
4 KOPPELFLÖTE
4 ERZÄHLER CELESTE II
2 SUPER OCTAVE
1-1/3 QUINTFLÖTE
MIXTURE III
8 FESTIVAL TRUMPET
8 KRUMMHORN
TREMULANT
UNISON OFF
CHOIR UNENCLOSED
GT-CH MANUAL TRANSFER
GENISYS VOICE 7 (OPTIONAL)
GENISYS VOICE 8 (OPTIONAL)

COUPLERS
8 GREAT TO PEDAL
8 SWELL TO PEDAL
4 SWELL TO PEDAL
8 CHOIR TO PEDAL
16 SWELL TO GREAT
8 SWELL TO GREAT
4 SWELL TO GREAT
8 CHOIR TO GREAT
16 SWELL TO CHOIR
8 SWELL TO CHOIR
4 SWELL TO CHOIR
MELODY COUPLER CH>GT
BASS COUPLER
GENISYS VOICES COUPLE

GENERAL
ALTERNATE TUNING
TREMULANTS FULL

ANTIPHONAL
SWELL MAINS OFF
SWELL TO ANTIPHONAL
GT-CH-PD MAINS OFF
GT-CH-PD TO ANTIPHONAL

MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON GREAT
MIDI ON CHOIR

From the multiple stop list versatility to the distinct sounds available in all ALLEN organs, each stop list is independently voiced with its own audio settings.

CLASSIC ALLEN

The "signature" specification that made Allen the world's favorite organ! Allen tonal directors created the specifications of Allen digital organs by selecting their favorite samples from fine pipe organs throughout the world.

ENGLISH (mainly Willis samples)

Characterized by Diapasons and weighty reeds, this style of organ building was brought to its height by renowned 19th-century British organ craftsman Henry Willis.

CAVAILLÉ-COLL/French Romantic

Progenitor and master of the 19th-century French style with fiery and dominant reeds; symphonic tonal schemes.

SCHLICKER/Neo-Baroque

Neo-Baroque scalings by The Schlicker Organ Company; 20th-century revival of 17th-century North German ideals.

ARP SCHNITGER

Master German builder who brought the bright, incisive Werkprinzip style to its zenith.

AEOLIAN-SKINNER

Under the tonal direction of G. Donald Harrison, this company developed the American Classic tonal design, characterized by firm and articulate principals, bright mixtures and French-style reeds. Its versatility enables the American Classic to authentically perform a broad range of musical styles.

Voice changes made easily!

GENISYS™ Voices provide the tonal diversity of a comprehensive stop list to even the most modest instruments. GENISYS Voices set a new standard for organist-friendly operation and include sounds that enhance every style of worship and organ literature!

  • HD Sound
  • 2 Dedicated GENISYS Voice Stops per Organ Division
  • Over 250 different voices - organ stops, Grand Pianos, orchestral, keyboard and percussion voices
  • Adjustable volume and tuning per voice
  • Voice assignments remain until changed by organist
  • Voices capture to organ pistons
  • Voices can couple between Divisions

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GENISYS™ Voices List (pdf)