GX-350a STOP LIST
Standard stop lists: Classic Allen, English, Cavaillé-Coll, Schlicker, Arp Schnitger, Aeolian-Skinner
PEDAL
32 CONTRA VIOLONE
16 DIAPASON
16 BOURDON
16 BOURDON DOUX (SW)
16 VIOLONE (GT)
8 OCTAVE
8 GEDACKT FLÖTE
4 CHORAL BASS
4 FLUTE
MIXTURE IV
32 CONTRE BOMBARDE
16 BOMBARDE
16 CONTRE TROMPETTE (SW)
8 TRUMPET
4 CLARION
GENISYS VOICE 1 (OPTIONAL)
GENISYS VOICE 2 (OPTIONAL)
SWELL
8 GEIGEN DIAPASON
8 ROHR BOURDON
8 FLUTE CELESTE II
8 VIOLA POMPOSA
8 VIOLA CELESTE
4 OCTAVE GEIGEN
4 TRAVERSE FLUTE
2-2/3 NASARD [4 ORCH. FLUTE]
2 PICCOLO [8 CLARINET]
1-3/5 TIERCE [8 FRENCH HORN]
FOURNITURE IV
16 CONTRE TROMPETTE
8 TROMPETTE
8 OBOE
8 VOX HUMANA [COR ANGLAIS]
4 CLAIRON
CELESTA
16 SWELL
UNISON OFF
4 SWELL
TREMULANT
SWELL SOLO VOICES ON
GENISYS VOICE 3 (OPTIONAL)
GENISYS VOICE 4 (OPTIONAL)
GREAT
16 VIOLONE
8 DIAPASON
8 HARMONIC FLUTE
8 BOURDON
8 GAMBA
4 OCTAVE
4 FLUTE
2-2/3 TWELFTH
2 FIFTEENTH
MIXTURE IV
CYMBALE III
8 TROMBA
CHIMES
TREMULANT
GT-PD UNENCLOSED
GENISYS VOICE 5 (OPTIONAL)
GENISYS VOICE 6 (OPTIONAL)
CHOIR
16 ERZÄHLER
8 PRINCIPAL
8 HOLZ GEDACKT
8 ERZÄHLER
8 ERZÄHLER CELESTE
4 OCTAVE
4 KOPPELFLÖTE
4 ERZÄHLER CELESTE II
2 SUPER OCTAVE
1-1/3 QUINTFLÖTE
ZIMBEL III
8 FESTIVAL TRUMPET
8 KRUMMHORN
TREMULANT
CHOIR UNENCLOSED
GT-CH MANUAL TRANSFER
GENISYS VOICE 7 (OPTIONAL)
GENISYS VOICE 8 (OPTIONAL)
COUPLERS
8 GREAT TO PEDAL
8 SWELL TO PEDAL
4 SWELL TO PEDAL
8 CHOIR TO PEDAL
16 SWELL TO GREAT
8 SWELL TO GREAT
4 SWELL TO GREAT
8 CHOIR TO GREAT
16 SWELL TO CHOIR
8 SWELL TO CHOIR
4 SWELL TO CHOIR
MELODY COUPLER CH>GT
BASS COUPLER
GENISYS VOICES COUPLE
GENERAL
ALTERNATE TUNING
TREMULANTS FULL
ANTIPHONAL
SWELL MAINS OFF
SWELL TO ANTIPHONAL
GT-CH-PD MAINS OFF
GT-CH-PD TO ANTIPHONAL
MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON GREAT
MIDI ON CHOIR
From the multiple stop list versatility to the distinct sounds available in all ALLEN organs, each stop list is independently voiced with its own audio settings.
CLASSIC ALLEN
The "signature" specification that made Allen the world's favorite organ! Allen tonal directors created the specifications of Allen digital organs by selecting their favorite samples from fine pipe organs throughout the world.
English (mainly Willis samples)
Characterized by Diapasons and weighty reeds, this style of organ building was brought to its height by renowned 19th-century British organ craftsman Henry Willis.
Cavaillé-Coll/French Romantic
Progenitor and master of the 19th-century French style with fiery and dominant reeds; symphonic tonal schemes.
Schlicker/Neo-Baroque
Neo-Baroque scalings by The Schlicker Organ Company; 20th-century revival of 17th-century North German ideals.
Arp Schnitger
Master German builder who brought the bright, incisive Werkprinzip style to its zenith.
Aeolian-Skinner
Under the tonal direction of G. Donald Harrison, this company developed the American Classic tonal design, characterized by firm and articulate principals, bright mixtures and French-style reeds. Its versatility enables the American Classic to authentically perform a broad range of musical styles.