55 Ranks / Unit Orchestra Theatre Organ
REALISTIC PIPE ORGAN SOUND
A digital church organ is a unique product utilizing modern technology to reproduce an art form whose heritage comes from pipe organs.
Superior sound comes from a combination of greater experience sampling pipe organs and advanced sound-producing technology. Experience matters! Allen introduced the world's first digitally sampled organ in 1971, nearly two decades prior to its nearest competitor. Allen's current GeniSys™ technology includes up to 48 advanced DSP's (Digital Signal Processors) working in parallel; supercomputer power for superior sound production. And Allen organs can be voiced to perfection to any school of organ design!
HEARING IS BELIEVING
Today, the preference for Allen sound extends even beyond the realm of digital organ customers to pipe organ owners. Notably, Allen is chosen as the organ builder of choice to add digital voices and advanced consoles to hundreds of pipe organs throughout the world, including prestigious European installations. With unmatched tonal quality and sophisticated technology, Allen is pleased to help preserve and advance an important art form. It's why we exist.
OUR ORGAN INTERIOR
Allen is the only digital church organ builder to fully finish the interior wood of the console to protect it during its many years of use.
All key electronic components are housed within a protective metal chassis to guard against electrical shocks, another Allen exclusive.
ALLEN'S CONSTRUCTION QUALITY
Using select woods and veneers, Allen craftsmen blend modern and traditional woodworking techniques to assure precision shaping and hand-crafted console assembly. No "knock-down" quality in an Allen Organ.
ALLEN EXPRESSION / CRESCENDO PEDALS
While plastic or wood expression pedals can be found on some church organs, they do not meet Allen's demanding quality standards. Cast Aluminum expression shoes are built to last a lifetime!
EXPRESSION SHOE CAGE
Sturdy metal construction fully protects the organ's interior against damage from pests entering the organ console. Just another example of Allen's dedication to quality and our customers.
ALLEN ORGAN - RELIABLE SERVICE
Allen dependability is legendary. Backed by a ten-year parts warranty, Allen Organs require no periodic maintenance or tuning. In the unlikely event that an Allen requires service, it is performed by factory-trained Allen technicians. Allen representatives keep a supply of spare parts on hand for service needs. The modular design found in our organs, ensures quick and easy service, without the necessity for on-site soldering.
CUSTOMER SUPPORT
The relationship between Allen and its customers doesn't end when an instrument is installed. Allen's commitment to customer satisfaction continues long after an organ is installed.
DELUXE CONTROLS
Allen designs and builds its own Theatre organ stop controls to provide the highest quality at affordable prices. From state-of-the-art Lumitech™ Stop Tabs with advanced LED's, to moving Stop Tabs, every control choice reflects Allen's uncompromising standards that ensure years of maintenance-free service.
PREMIUM KEYBOARDS
The exclusive Allen keyboard is designed to allow the musician to feel the music. These keyboards are built with a level of quality that is the envy of the
industry. Each key stick is constructed of wood, felted pivot points and can be individually adjusted to keep them consistent over the long-haul.
ALLEN KEYBOARDS
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The Allen keyboard utilizes sealed contacts and wood keysticks to provide the ultimate in touch and control. The level of quality and adjustability of Allen keyboards makes them the envy of the industry and the choice of discerning musicians.
The key contact, while unseen, is an important part of any church organ. If one fails during a performance, the entire musical program can be compromised. Allen has introduced a maintenance-free system in which a sealed reed switch is engaged by magnet. Neither dust nor the environment will compromise your music program with an Allen Organ.
TO-5G SPECIFICATIONS
Featuring Four Stop List Scaling/Voicing Capability
PEDAL
32 Contra Diaphone
32 Contra Tibia S
32 Contra Violone
16 Double English Horn
16 Bombarde
16 Ophicleide
16 Diaphone
16 Diaphonic Horn
16 Tibia Clausa S
16 Tibia Clausa M
16 Clarinet
16 Bass String (2 rks)
16 Oboe Horn
16 Violone
16 Bourdon
16 Dulciana (2 rks)
8 English Horn
8 Tuba Mirabilis
8 Tuba Horn
8 Diaphonic Diapason
8 Open Diapason
8 Horn Diapason
8 Tibia Clausa
8 Tibia Clausa
8 Tibia Clausa
8 Tibia Clausa PIZZ
8 Clarinet
8 Major Strings (4 rks)
8 Minor Strings (6 rks)
8 French Horn
8 Oboe Horn
8 Concert Flute
16 Piano
8 Piano
Bass Drum
Tympani
Crash Cymbal
Tap Cymbal
Brush Cymbal
Finger Cymbals
Triangle
Accomp to Pedal
Great to Pedal
Great Octave Pedal
Solo on Pedal
MIDI on Pedal
Accomp Traps to Pedal
ACCOMPANIMENT
8 English Horn
8 Tuba Mirabilis
8 Solo Trumpet
8 Chorus Trumpet
8 Tuba Horn
8 Diaphonic Diapason
8 Open Diapason
8 Horn Diapason
8 Tibia Clausa S
8 Tibia Clausa M
8 Clarinet
8 Solo String (2 rks)
8 Gamba (2 rks)
8 Cello (2 rks)
8 Viol d'Orchestre (2 rks)
8 Salicional (2 rks)
8 French Horn
8 Oboe Horn
8 Quintadena
8 Lieblich Flute
8 Concert Flute
8 Spitz Flute (2 rks)
8 Vox Humana
8 Vox Humana
8 Dulciana (2 rks)
4 Octave Open
4 Octave Horn
4 Piccolo M
4 Solo String (2 rks)
4 Gambette (2 rks)
4 Cello (2 rks)
4 Viol (2 rks)
4 Salicet (2 rks)
4 Lieblich Flute
4 Concert Flute
4 Spitz Flute (2 rks)
4 Vox Humana
4 Vox Humana
4 Dulcet (2 rks)
2 2/3 Lieblich Twelfth
2 2/3 Twelfth
2 Lieblich Piccolo
2 Piccolo
8 Piano
Wood Harp Sub
Wood Harp
Metal Harp
Chrysoglott
Snare Drum
Castanets
Tambourine
Wood Block
Tom-Tom
Hi Hat
Tap Cymbal
Brush Cymbal
Octave
Solo to Accomp
MIDI on Accomp
GREAT
16 Double English Horn
16 Bombarde
16 Solo Trumpet (Ten C)
16 Chorus Trumpet (Ten C)
16 Ophicleide
16 Diaphone
16 Open Diapason (Ten C)
16 Diaphonic Horn
16 Tibia Clausa
16 Tibia Clausa (Ten C)
16 Tibia Clausa
16 Clarinet
16 Orchestral Oboe (Ten C)
16 Musette (Ten C)
16 Saxophone (Ten C)
16 Solo String (2 rks)
16 Gamba (2 rks)
16 Cello (2 rks)
16 Minor Strings (4 rks)
16 Krumet (Ten C)
16 Cor Anglais (Ten C)
16 Oboe Horn
16 Quintadena (Ten C)
16 Bourdon
16 Vox Humana (Ten C)
16 Vox Humana (Ten C)
16 Dulciana (2 rks)
8 English Horn
8 Tuba Mirabilis
8 Solo Trumpet
8 Chorus Trumpet
8 Tuba Horn
8 Diaphonic Diapason
8 Open Diapason
8 Horn Diapason
8 Tibia Clausa
8 Tibia Clausa
8 Tibia Clausa
8 Clarinet
8 Kinura
8 Orchestral Oboe
8 Musette
8 Saxophone
8 Solo String (2 rks)
8 Gamba (2 rks)
8 Cello (2 rks)
8 Viol d'Orchestre (2 rks)
8 Salicional (2 rrks)
8 Krumet
8 Cor Anglais
8 French Horn
8 Oboe Horn
8 Quintadena
8 Lieblich Flute
8 Concert Flute
8 Spitz Flute (2 rks)
8 Vox Humana
8 Vox Humana
8 Dulciana (2 rks)
5 1/3 Fifth (Tibia S)
5 1/3 Fifth (Tibia M)
4 Octave
4 Octave Open
4 Octave Horn
4 Piccolo
4 Piccolo
4 Piccolo
4 Solo String (2 rks)
4 Gambette (2 rks)
4 Cello (2 rks)
4 Viol (2 rks)
4 Salicet (2 rks)
4 Harmonic Flute
4 Lieblich Flute
4 Spitz Flute (2 rks)
4 Dulcet (2 rks)
3 1/5 Tenth (Tibia M)
2 2/3 Twelfth (Tibia S)
2 2/3 Twelfth (Tibia M)
2 2/3 Lieblich Twelfth
2 Piccolo (Tibia)
2 Piccolo (Tibia)
2 Piccolo (Tibia)
2 Fifteenth
2 Lieblich Piccolo
1 3/5 Lieblich Tierce
1 Lieblich Fife
8 Piano
4 Piano
Wood Harp Sub
Wood Harp
Xylophone Sub
Xylophone
Glockenspiel
Chrysoglott
Sub Octave
Unison Off
Octave
Solo on Great
MIDI on Great
ORCHESTRAL
16 Double English Horn
16 Solo Trumpet (Ten C)
16 Ophicleide
16 Tibia Clausa
16 Tibia Clausa (Ten C)
16 Tibia Clausa
16 Saxophone (Ten C)
16 Major Strings (4 rks)
16 Minor Strings (6 rks)
16 Vox Humana (Ten C)
16 Vox Humana (Ten C)
8 English Horn
8 Tuba Mirabilis
8 Solo Trumpet
8 Chorus Trumpet
8 Style D Trumpet
8 Tuba Horn
8 Open Diapason
8 Horn Diapason
8 Tibia Clausa
8 Tibia Clausa
8 Tibia Clausa
8 Clarinet
8 Orchestral Oboe
8 Musette
8 Saxophone
8 Solo String (2 rks)
8 Gamba (2 rks)
8 Cello (2 rks)
8 Minor Strings (4 rks)
8 Krumet
8 Cor Anglais
8 French Horn
8 Vox Humana
8 Vox Humana
4 Piccolo
4 Piccolo
4 Piccolo
4 Solo String (2 rks)
4 Mezzo Strings (4 rks)
4 Minor Strings (4 rks)
4 Harmonic Flute
2 2/3 Twelfth (Tibia S)
2 2/3 Twelfth (Tibia M)
2 Piccolo (Tibia S)
2 Piccolo (Tibia M)
1 3/5 Tierce (Tibia M)
8 Piano
Wood Harp
Xylophone
Glockenspiel
Metal Harp
Vibraharp
Chrysoglott
Sub Octave
Unison Off
Octave
Solo on Orch
MIDI on Orch
ANCILLARY
8 Principal
4 Octave
2 Superoctave
Mixture IV
8 Fanfare Trumpet
BOMBARDE
16 Double English Horn
8 English Horn
8 Tuba Mirabilis
8 Solo Trumpet
8 Chorus Trumpet
8 Style D Trumpet
8 Tuba Horn
8 Diaphonic Diapason
8 Open Diapason
8 Tibia Clausa
8 Tibia Clausa
8 Tibia Clausa
8 Saxophone
8 Major Strings (4 rks)
8 Minor Strings (6 rks)
8 Vox Humana
8 Vox Humana
4 Piccolo
4 Piccolo
4 Piccolo
4 Major Strings (4 rks)
4 Minor Strings (6 rks)
2 2/3 Twelfth (Tibia S)
2 2/3 Twelfth (Tibia M)
2 Piccolo (Tibia)
2 Piccolo (Tibia)
2 Piccolo (Tibia)
1 Fife (Tibia M)
8 Piano
Xylophone
Glockenspiel
Vibraharp
Chrysoglott
Sub Octave
Unison Off
Octave
Great to Bombarde
Great Octave Bombarde
Orch to Bombarde
Solo on Bombarde
MIDI on Bombarde
SOLO
8 Fanfare Trumpet
8 English Horn
8 Tuba Mirabilis
8 Solo Trumpet
8 Chorus Trumpet
8 Style D Trumpet
8 Tuba Horn
8 Diaphonic Diapason
8 Open Diapason
8 Tibia Clausa
8 Tibia Clausa
8 Tibia Clausa
8 Clarinet
8 Kinura
8 Orchestral Oboe
8 Musette
8 Saxophone
8 Major Strings (4 rks)
8 Minor Strings (6 rks)
8 Krumet
8 Cor Anglais
8 French Horn
8 Oboe Horn
8 Vox Humana
8 Vox Humana
8 Piccolo
4 Piccolo
4 Piccolo
4 Harmonic Flute
2 2/3 Twelfth (Tibia S)
2 2/3 Twelfth (Tibia M)
2 Piccolo (Tibia)
2 Piccolo (Tibia)
2 Piccolo (Tibia)
1 3/5 Tierce (Tibia S)
1 3/5 Tierce (Tibia M)
1 1/3 Larigot (Tibia M)
Sub Octave
Unison Off
Octave
MIDI on Solo
8 Piano
Wood Harp Sub
Xylophone
Glockenspiel
Metal Harp
Vibraharp
Cathedral Chimes
ACCOMP 2nd Touch
8 English Horn
8 Tuba Mirabilis
8 Solo Trumpet
8 Chorus Trumpet
8 Tuba Horn
8 Diaphonic Diapason
8 Tibia Clausa S
8 Tibia Clausa M
8 Clarinet
8 French Horn
4 Piccolo (2 rks)
Glockenspiel Octave
Cathedral Chimes
Percussions 2nd Touch
Traps 2nd Touch
Great Octave Accomp
Solo on Accomp
MIDI on Accomp
GREAT 2nd Touch
English Horn 16-8
Solo on Great
Solo on Great PIZZ
MIDI on Great
TREMULANTS
Main
Main Strings
Clarinet
Tibias/Sax/Voxes
Solo
Solo Strings
Tubas
Trumpets
English Horn
Key Cheek Pistons
Unisons Off
Celestes Off
Main Vox 1 Off
Main Vox 2 On
Solo Vox 1 Off
Solo Vox 2 On
Chorus Trumpet Off
Style D Trumpet On
Quintadena Celeste
Horn Diapason Celeste
Master Expression
Marimba Re-it
Chrysoglott Motor
Vibraharp Motor
Ancillary on Solo
Ancillary on Orch
Ancillary on Bombarde
Ancillary on Great
Ancillary on Accomp
Ancillary on Pedal
Toe Piston Effects
Persian Cymbal
Gong
Wind Chimes
Train
Birds
Chamber Analysis
MAIN
1 Chorus Trumpet 8
2 Tuba Horn 16-4
3 "D" Trumpet 8
4 Diaphonic Diapason 32-4
5 Open Diapason 8-4
6 Tibia Clausa 16-2
7 Clarinet 16-8
8 Musette 8
9 Cor Anglais 8
10 Gamba 8-4
11 Gamba Celeste 8-4
12 Viol d'Orchestra 8-2
13 Viol Celeste 8-4
14 Salicional 8-2
15 Salicional Celeste 8-4
16 Oboe Horn 16-8
17 Harmonic Flute 4
18 Concert Flute 16-4
19 Dulciana 16-4
20 Dulciana Celeste 16-4
21 Vox Humana 8-4
22 Vox Humana #2 8-4
23 Violone (Pedal) 32-16
Chrysoglott
SOLO
32 English Posthorn 16-8
33 Tuba Mirabilis 16-8
34 Brass Trumpet 8
35 Horn Diapason/Diaphone 16-4
36 Horn Diapason Celeste 8-4
37 Tibia Clausa 32-2
38 Brass Saxophone 8
39 Orchestral Oboe 8
40 Kinura 8
41 Krumet 8
42 Solo String 16-4
43 Solo String Celeste 8-4
44 Cello 8-4
45 Cello Celeste 8-4
46 French Horn 8
47 Quintadena 8
48 Quintadena Celeste 8
49 Lieblich Flute 8-2
50-51 Spitzflute Celeste II 8-4
52 Vox Humana 8-4
53 Vox Humana #2 8-4
ANCILLARY
24 Principal 8
25 Octave 4
26 Superoctave 2
27-30 Mixture IV
31 Trompette en-chamade 8
PERCUSSION
54 Tibia Clausa 8-2
55 8' Pedal Tibia Pizzicato
Piano
Wood Harp
Wood Harp Re-it
Metal Harp
Vibraharp
Xylophone
Glockenspiel
Chimes
Traps
Bass Drum
Tympani
Crash Cymbal
Tap Cymbal
Brush Cymbal
Finger Cymbals
Choke Cymbal
Wood Block
Tambourine
Castanets
Tom-tom
Snare Drum
Sound Effects
Persian Cymbal
Train
Wind Chimes
Birds
Gong
THE ANTIDOTE FOR ACOUSTIC COMPROMISE
Dry, crisp acoustics designed to make spoken words easy to understand can make music sound brittle and uninteresting. Organ sound, especially, comes alive in more resonant spaces. Most organs include obsolete digital reverb, to artificially imitate acoustics. But not Allen. Allen's revolutionary Acoustic Portrait™ produces the "real thing"!
Based on a remarkable technology called convolution, Acoustic Portrait realistically recreates the "sonic fingerprint" of actual rooms ranging from small churches to large, famous cathedrals. Don't let the acoustics of your room stand between you and beautiful music-making. Acoustic Portrait will add the dimension you've been missing.
The World's Finest Sampled Reverb!
Voice changes made easily!
GeniSys Voices™ Provide the tonal diversity of a comprehensive stop list to even the most modest instruments. GeniSys Voices set a new standard for organist-friendly operation and include sounds that enhance every style of worship and organ literature!