GX-340 STOP LIST
Standard stop lists: Classic Allen, English, Cavaillé-Coll, Schlicker, Arp Schnitger, Aeolian-Skinner, Wurlitzer, Barton, and Morton
PEDAL
32 CONTRA VIOLONE
16 PRINCIPAL
16 BOURDON
16 BOURDON DOUX (SW)
16 ERZÄHLER (CH)
8 OCTAVE
8 GEDACKT
4 SUPER OCTAVE
MIXTURE III
32 CONTRE BOMBARDE
16 BOMBARDE
16 BASSON (SW)
8 TROMPETTE
4 CLARION
GENISYS VOICE 1 (OPTIONAL)
GENISYS VOICE 2 (OPTIONAL)
SWELL
16 BOURDON DOUX
8 ROHR BOURDON
8 VIOLE
8 VIOLE CELESTE
4 GEIGEN OCTAVE
4 FLUTE
2-2/3 NASARD
2 OCTAVIN
1-3/5 TIERCE
PLEIN JEU IV
16 BASSON
8 TROMPETTE
8 HAUTBOIS
8 VOX HUMANA
TREMULANT
SWELL UNISON OFF
GENISYS VOICE 3 (OPTIONAL)
GENISYS VOICE 4 (OPTIONAL)
GREAT
16 BOURDON DOUX (SW)
8 PRINCIPAL
8 HARMONIC FLUTE
8 FLUTE CELESTE II
8 VIOLE (SW)
4 OCTAVE
4 SPIRE FLUTE
2 FIFTEENTH
MIXTURE IV
8 TROMPETE
CHIMES
TREMULANT
GT-CH MANUAL TRANSFER
MELODY COUPLER CH>GT
BASS COUPLER
GENISYS VOICE 5 (OPTIONAL)
GENISYS VOICE 6 (OPTIONAL)
CHOIR
16 ERZÄHLER
8 HOLZ GEDACKT
8 ERZÄHLER
8 ERZÄHLER CELESTE
4 PRINZIPAL
4 KOPPELFLÖTE
2 OKTAV
1-1/3 QUINTFLÖTE
MIXTURE III
8 KRUMMHORN
8 FESTIVAL TRUMPET
TREMULANT
CHOIR UNISON OFF
GENISYS VOICE 7 (OPTIONAL)
GENISYS VOICE 8 (OPTIONAL)
ANTIPHONAL
SWELL MAINS OFF
SWELL TO ANTIPHONAL
GT-CH-PD MAINS OFF
GT-CH-PD TO ANTIPHONAL
GENERAL
TREMULANTS FULL
ALTERNATE TUNING
GT-PD UNENCLOSED
CHOIR UNENCLOSED
CHOIR EXPRESS W/SWELL
COUPLERS
8 GREAT TO PEDAL
8 SWELL TO PEDAL
8 CHOIR TO PEDAL
8 SWELL TO GREAT
8 CHOIR TO GREAT
8 SWELL TO CHOIR
GENISYS VOICES COUPLE
MIDI
MIDI ON PEDAL
MIDI ON SWELL
MIDI ON GREAT
MIDI ON CHOIR
From the multiple stop list versatility to the distinct sounds available in all ALLEN organs, each stop list is independently voiced with its own audio settings.
CLASSIC ALLEN
The "signature" specification that made Allen the world's favorite organ! Allen tonal directors created the specifications of Allen digital organs by selecting their favorite samples from fine pipe organs throughout the world.
English (mainly Willis samples)
Characterized by Diapasons and weighty reeds, this style of organ building was brought to its height by renowned 19th-century British organ craftsman Henry Willis.
Cavaillé-Coll/French Romantic
Progenitor and master of the 19th-century French style with fiery and dominant reeds; symphonic tonal schemes.
Schlicker/Neo-Baroque
Neo-Baroque scalings by The Schlicker Organ Company; 20th-century revival of 17th-century North German ideals.
Arp Schnitger
Master German builder who brought the bright, incisive Werkprinzip style to its zenith.
Aeolian-Skinner
Under the tonal direction of G. Donald Harrison, this company developed the American Classic tonal design, characterized by firm and articulate principals, bright mixtures and French-style reeds. Its versatility enables the American Classic to authentically perform a broad range of musical styles.
Wurlitzer
"The Mighty Wurlitzer" was perhaps the "gold standard" of theatre organs during the silent movie era.
Barton
Barton was mainly known in the Midwest area in the United States. Their most famous instrument was the theatre organ installed in the Chicago Stadium. Bartons were known for their "aggressive" voicing style.
Morton
Morton theatre organs "evolved" over the course of the silent movie era. Our digital samples are from a late 1920s organ that used higher wind pressures than the typical theatre organ and was known as one of Morton's "jazzier" instruments.